Akai DPS16 Operator's Manual Page 118
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Chapter 9:
Various Settings (Q-Link Functions, Setup Mode)
8 [F6] (INSERT) key
Press the [F6] (INSERT) key to insert tempo change information of the current position indicated on the BBC
counter (2).
➸
NOTE :
The first bar of the tempo map (0001.01.00 ) contains a tempo of 120 as a preset. You cannot
move or erase this tempo information, but you can change the tempo value.
Other settings
Pressing the [F3] (MISC.) key in Setup mode accesses the screen where you can set various parameters related to
DPS16 operations. This section explains these parameters from the top of the screen.
Project Setting
This screen displays the sampling rate and data resolution of a Project.
1 2
1 Sampling frequency
This field enables you to select a sampling rate for the Project. Move the cursor to this field and turn the [JOG]
wheel to select one of the following four sampling rates.
• 96kHz .......... This rate offers the highest quality recording, but the number of tracks available for recording is
limited.
• 48kHz .......... This rate offers the highest 16-track recording and playback. However, the available recording
time will be shorter than when using 44.1kHz or 32kHz. This rate is used for general DAT
recorders.
• 44.1kHz ...... This standard rate is generally used on CDs and MDs.
Make sure that you select this option when you write a Project to a CD-R/CD-RW disc.
• 32kHz .......... The tonal quality is slightly lower, but the available recording/playback time is the longest. You
can select this option if tonal quality is not critical and the recording time is your top priority.
➸
NOTE :
You can change the sampling rate after recording data to tracks. However, in this case, the
playback pitch will be changed. Set the sampling rate before you start recording.
2 Data resolution
This field indicates the data resolution of a Project.
• 24 bit .......... High quality sound will be recorded but the available recording/playback time will be shorter.
• 16 bit .......... This is a standard resolution used by CDs, MD, and DAT machines. Make sure that you select
this option when you write a Project to a CD-R/CD-RW disc.
✐
TIP :
If the Data resolution field is set to “24 bit,” 24-bit digital signals can be input and output via the
DIGITAL IN/OUT jacks on the rear panel.
- Operator’s Manual 1
- RISK OF ELECTRIC SHOCK 2
- DO NOT OPEN 2
- IMPORTANT 4
- VENTILATION 5
- FCC WARNING 5
- Chapter 9: 10
- Table of contents 11
- Features of the DPS16 13
- Parts and functions 14
- F1 F2 F3 F4 F5 F6 15
- Front Panel 17
- Rear Panel 18
- About external SCSI devices 19
- Internal IDE hard disk 19
- About Project 21
- INPUT MIX channel 24
- The DPS16’s user interface 26
- BBC counter 27
- [SHUTTLE] 28
- Entering characters 29
- QLMC (Q-Link Mixer Control) 30
- [PHANTOM 33
- [GUITAR/ 33
- Preparing to record 34
- Recording the first track 37
- Stop Playback Recording 38
- 00:00:00:00.0) 39
- Using locate points 40
- Outputs the input source 42
- Record Track 43
- SOURCE” 44
- Using the Undo/Redo functions 45
- Punch In/Out 46
- MIXER mode 48
- EQ, AUX SEND 1–4 48
- Using Mixer mode 49
- [CURSOR] 50
- Using the transport functions 52
- ■ Using the [TO] key 54
- ■ Using the [FROM] key 54
- ■ Using the [IN-OUT] key 54
- [GO TO] key 55
- Storing locate points 57
- Moving to a locate point 57
- Time field at 58
- IN point and OUT point 59
- Repeat function 60
- Chapter 4: Punch In/Out 61
- Auto Punch In/Out 63
- Punch In/Out Rehearsal 64
- Main Quick Patch mode screen 65
- 12345678910111213141516 66
- ■ Canceling the patch 67
- [INPUT SELECT] key 68
- [INPUT SELECT] keys 2, 6 68
- DEFAULT) key on the Quick 69
- Selecting output signals 70
- DEFAULT) 71
- Virtual Track 72
- Virtual Track List 72
- (unused).” 73
- ERASE ) key 73
- DO IT) key to erase data 73
- (unused)” 73
- Mixer mode screen 74
- Control View page 75
- (Mixer Mode) 76
- BUS parameter on and off 77
- PRE (pre-fader) 78
- POST (post-fader) 78
- INSERT (insert) 78
- Channel View page 82
- Global Settings page 83
- SCENE) key accesses the 85
- CLOSE) key 85
- ■ Recalling a scene 86
- ■ Erasing a scene 87
- • EQ • SEND 88
- GUITAR SOLO1” 91
- GUITAR SOLO2” 91
- Ping-pong recording 93
- [TRACK PAN] knob 94
- Adding sounds during mixdown 97
- Solo function 98
- FX 4) keys 99
- Applying EQ while recording 102
- Using an Edit mode screen 103
- Repeat times 104
- DO IT) key 104
- Now time, In time, and Out 104
- Now time 105
- ■ TIME STRETCH 108
- ■ CUT → MOVE 108
- New length 109
- What Q-Link functions offer 111
- Q-Link Functions 112
- [F1] [F2] [F3] [F4] 113
- TRACK MIX channels 1-16 114
- Effect return 1-4 114
- [TO] key and [FROM] key 115
- Setting a beat map 116
- Setting a tempo map 117
- Other settings 118
- Sync/MIDI 119
- value from the 120
- What is a Project? 122
- Using the Project mode screen 122
- Selecting a current Project 123
- Creating a new Project 124
- ERASE) key 125
- Target project 125
- Playing back the CD-R/CD-RW 128
- Finish process 129
- BACK RELOAD BACKUP 130
- CAUTION : 131
- SHUTTLEJOG 132
- Reloading the backup Project 134
- Using the Disk mode screen 137
- Changing the Self ID number 138
- SELECT) key 139
- Defragmenting a disk 141
- Copying data on the disk 142
- Chapter 12: MIDI Applications 144
- MISC.) key 145
- [F1] [F2] [F3] 146
- 00:0:00:00.0) of the 150
- GLOBAL) key in Mixer mode 151
- Recording/playing back a 154
- Chapter 13: Using the Effects 156
- Effect mode screen 157
- EDIT) key 158
- EFFECT” as the QLMC mode 159
- EFFECT” (controlling effect 159
- Using effects for mixdown 160
- PRE/POST 162
- Effect board 165
- TRACK MIX channel 165
- THRU MIX cahnnel 166
- Effect types and parameters 169
- STEREO CHORUS 170
- XOVER CHORUS 170
- MONO FLANGER 171
- STEREO FLANGER 171
- XOVER FLANGER 172
- PAN FLANGER 172
- MONO PHASER 173
- STEREO PHASER 173
- XOVER PHASER 174
- PAN PHASER 174
- PITCH SHIFT 175
- ROTARY SPEAKER 175
- AUTO PAN 176
- TRIGGER PAN 177
- MONO DELAY 177
- PING PONG DELAY 178
- PANNING DELAY 178
- STEREO DELAY 179
- XOVER DELAY 179
- TAPE ECHO 180
- REVERB>SMALL ROOM 180
- REVERB>BIG ROOM 181
- REVERB>SMALL HALL 181
- REVERB>BIG HALL 182
- REVERB>STUDIO 182
- REVERB>LIVE HOUSE 183
- REVERB>MEDIUM HALL 183
- REVERB>BRIGHT HALL 184
- REVERB>NON-LINEAR 184
- [F3] key 185
- EXPANDER 186
- NOISE GATE 187
- DIGITAL EQ 187
- TOUCH WAH 188
- CHORUS>DELAY 189
- FLANGE>DELAY 189
- PHASER/DELAY 190
- DISTORTION 190
- ENHANCER 191
- MULTI TAP DELAY 191
- PITCH CORRECTOR 192
- Appendix 193
- MIDI Implementation Chart 195
- 000301-2 198
- Printed in Japan 198
- Yokohama, Japan 198
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