Akai DPS16 Operator's Manual Page 1

WARNINGTo prevent fire or shock hazard, do notexpose this appliance to rain or moisture.Operator’s ManualDIGITAL PERSONAL STUDIO

viiiTable of contentsUsing the Solo and Mute functions ...86Solo functio

88Chapter 7: Advanced Technique for MixingDigital input from an external deviceThe DIGITAL IN jack on the rear panel of the DPS16 enables you to route

89Chapter 7: Advanced Technique for Mixing6. On the Quick Patch screen, route the input L/R signal (from the DIGITAL IN jack) to tracks 1 and 2of the

90Chapter 7: Advanced Technique for MixingApplying EQ while recordingWith the DPS16’s default settings, signals input from the INPUT jacks are routed

91Chapter 8: Edit Technique (Edit Mode)Chapter 8: Edit Technique (Edit Mode)The DPS16 provides various editing capabilities in Edit mode. You can spec

92Chapter 8: Edit Technique (Edit Mode)7 Repeat timesThis parameter determines the number of repeated overwrite/insert operations.8 This area displays

93Chapter 8: Edit Technique (Edit Mode)If you select a command that enables you to edit a single track (such as INSERT SILENCE command), use the[RECOR

94Chapter 8: Edit Technique (Edit Mode) COPY → INSERTThis command enables you to copy data between the IN and OUT points and insert it after the Now

95Chapter 8: Edit Technique (Edit Mode) CUT → INSERTThis command enables you to cut data between the IN and OUT points and insert it after the Now ti

96Chapter 8: Edit Technique (Edit Mode) CUT → MOVEThis command enables you to cut data between the IN point and OUT point. The data after the OUT poi

97Chapter 8: Edit Technique (Edit Mode) STRETCH → MOVEThis command changes the length between the IN point and the OUT point. It does not change the

ixTable of contentsBacking up Projects to an external SCSI device ... 118Backing up in multiple disk

98Chapter 9: Various Settings (Q-Link Functions, Setup Mode)Chapter 9: Various Settings (Q-Link Functions, Setup Mode)This chapter describes Q-Link f

99Chapter 9: Various Settings (Q-Link Functions, Setup Mode)• Press the corresponding function key to execute the function.[F1] [F2] [F2]Press a funct

100Chapter 9: Various Settings (Q-Link Functions, Setup Mode)Q-Link FunctionsThis section describes functions you can select from Q-Link Functions, an

101Chapter 9: Various Settings (Q-Link Functions, Setup Mode) [F2] key/SYNC parameterThe following parameters are used to synchronize the DPS16 to an

102Chapter 9: Various Settings (Q-Link Functions, Setup Mode)Time Display functionThis function enables you to set the time counter and BBC counter di

103Chapter 9: Various Settings (Q-Link Functions, Setup Mode) [F3] key/STANDBY TRACK MONITOR parameterWhile the DPS16 is playing, you can switch betw

104Chapter 9: Various Settings (Q-Link Functions, Setup Mode)Setting a beat mapDuring the sync operation using the DPS16 and MIDI sequencer via the MI

105Chapter 9: Various Settings (Q-Link Functions, Setup Mode)Setting a tempo mapWhen an external device, such as a MIDI sequencer, synchronizes to the

106Chapter 9: Various Settings (Q-Link Functions, Setup Mode)8 [F6] (INSERT) keyPress the [F6] (INSERT) key to insert tempo change information of the

107Chapter 9: Various Settings (Q-Link Functions, Setup Mode)Sync/MIDIYou can set parameters related to the frame rate, MMC device ID, and MIDI OUT/TH

xTable of contentsXOVER CHORUS ...158MONO FLANGER ...

108Chapter 9: Various Settings (Q-Link Functions, Setup Mode)TimeYou can set the offset time and the time value for the [TO] key and [FROM] key.6879J6

109Chapter 9: Various Settings (Q-Link Functions, Setup Mode)OthersYou can set the foot switch function and the Undo function.KLK Foot switchYou can s

110Chapter 10: Project Management (Project Mode)Chapter 10: Project Management (Project Mode)This chapter describes various methods to manage Projects

111Chapter 10: Project Management (Project Mode)2 Disk freeDisplays the amount of free space on the current disk.3 Current ProjectDisplays the current

112Chapter 10: Project Management (Project Mode)Creating a new ProjectYou need to create a new Project to make a new recording. Follow the steps below

113Chapter 10: Project Management (Project Mode)Erasing a ProjectThis operation erases Projects from the current disk. If the disk cannot accommodate

114Chapter 10: Project Management (Project Mode)Follow the steps below to write a Project to a CD-R/CD-RW disc.➸NOTE : Before starting the steps below

115Chapter 10: Project Management (Project Mode)➸NOTE : If the Region field is set to “ALL”, the entire length of the selected track from beginning

116Chapter 10: Project Management (Project Mode)Playing back the CD-R/CD-RWYou can play back the disc you recorded in the CD-R/CD-RW drive.➸NOTE : You

117Chapter 10: Project Management (Project Mode)Finish processThis process writes a data region (readout information), which includes the position dat

1Chapter 1: Overview of the DPS16Chapter 1: Overview of the DPS16This chapter describes the features of the DPS16 and identifies its parts and functio

118Chapter 10: Project Management (Project Mode)Backing up ProjectsYou can back up Projects on the current disk to external SCSI devices (such as MO,

119Chapter 10: Project Management (Project Mode)4. Move the cursor to the Device field (2) and set to “SCSI”.5. Move the cursor to the Destination Dis

120Chapter 10: Project Management (Project Mode)Backing up in multiple disksYou may back up one Project into multiple removable disks (such as Jaz, Zi

121Chapter 10: Project Management (Project Mode)The following screen appears.121 Approx. timeIndicates approximate time taken until the backup operati

122Chapter 10: Project Management (Project Mode)Reloading the backup ProjectFollow the steps below to reload the backup Project from the external SCSI

123Chapter 10: Project Management (Project Mode)➸NOTE : While the Project backed up in multiple removable media is being reloaded (see page 120), thef

124Chapter 10: Project Management (Project Mode)Reloading from a DAT1. Use the digital audio COAXIAL cable (that you used for backup) to connect the D

125Chapter 11: Using a Disk (Disk Mode)Chapter 11: Using a Disk (Disk Mode)This chapter explains Disk mode, in which you can set up an internal hard d

126Chapter 11: Using a Disk (Disk Mode)• CD-ROM ...Indicates that a CD-ROM drive has been connected.• Other ...

127Chapter 11: Using a Disk (Disk Mode)Selecting the current diskWhen you turn on the power to the DPS16, the internal hard disk is automatically sele

2Chapter 1: Overview of the DPS16Parts and functionsThis section describes part names and functions. The names of the controls on the top panel are sh

128Chapter 11: Using a Disk (Disk Mode)Follow the steps below to format or erase the disk.1. On the Disk List screen, move the cursor to select a hard

129Chapter 11: Using a Disk (Disk Mode)Defragmenting a diskRepeated recording and edit operations on the DPS16 fragments audio data written on the dis

130Chapter 11: Using a Disk (Disk Mode)Follow the steps below to defragment audio data.1. On the Disk List screen, move the cursor to the hard disk yo

131Chapter 11: Using a Disk (Disk Mode)Follow the steps below to copy data on the current disk. This operation takes time to complete.1. Select the co

132Chapter 12: MIDI ApplicationsChapter 12: MIDI ApplicationsThis chapter describes some examples of using the DPS16 via MIDI.Possible operations usin

133Chapter 12: MIDI Applications2. Press the [SETUP] key to recall Setup mode and press the [F3] (MISC.) key.The following screen appears.3. Move the

134Chapter 12: MIDI Applications7. Move the cursor to the [F2] key (SYNC parameter) and turn the [JOG] wheel to select “ MTC/MAS-TER”.The SYNC paramet

135Chapter 12: MIDI Applications1. Use a MIDI cable to connect the DPS16’s MIDI OUT/THRU connector and the MIDI sequencer’sMIDI IN connector.✐TIP : A

136Chapter 12: MIDI Applications6.Press the [F1] (TEMPO) key on the same screen.The DPS16 displays the screen where you can set a tempo map (Project’s

137Chapter 12: MIDI ApplicationsSynchronizing the DPS16 to an external device (MTC)MTC (MIDI timecode) is supplied from an external MIDI device to the

3Chapter 1: Overview of the DPS165 [INPUT TRIM] controls 1–8Use these controls to adjust the gain of the signals (ranging from mic level to line-level

138Chapter 12: MIDI Applications6. Set up the external device so that it will transmit MTC from the MIDI OUT connector, and startplaying the device.Wh

139Chapter 12: MIDI ApplicationsRecording and playing the DPS16’s snapshot on a MIDI sequencerThe DPS16 can transmit and receive a mix snapshot (mix p

140Chapter 12: MIDI Applications6. On the same screen, move the cursor to the Control via MIDI field, and turn the [JOG] wheel toselect a DPS16 MIDI c

141Chapter 12: MIDI ApplicationsRecording and playing back a mix automationThe operations of the channel faders, [MASTER] fader, and [PAN] controls on

142Chapter 12: MIDI Applications•••••BBC counter indicationMIDI sequencerDPS16Silence A song starts.TRACK 1TRACK 2TRACK 1TRACK 2TRACK 3TRACK 4TRACK 5R

143Chapter 12: MIDI ApplicationsDPS16 MIDI Control Change Assign TableControl No. Channel Parameter1 TRACK MIX Ch 1 LEVEL2 TRACK MIX Ch 2 LEVEL3 TRACK

144Chapter 13: Using the EffectsChapter 13: Using the EffectsYou can use various types of the DPS16’s built-in effects (optional). This chapter descri

145Chapter 13: Using the EffectsEffect mode screenIn Effect mode, you can set various effect parameters. When you press the [EFFECT] key, the DPS16 en

146Chapter 13: Using the Effects2. Turn the [JOG] wheel to move the cursor to the desired effect type.<ex. PING PONG DELAY is selected.>3. Press

147Chapter 13: Using the Effects3. Move the cursor to the target parameter and turn the [JOG] wheel to change the value.✐TIPS:• If you set QLMC’s “mod

4Chapter 1: Overview of the DPS16MASTERMASTERNUMBER/NAMEMUTESOLOMIXEREFFECTV.TRACKDISKEDITMAINSCREENSETUPPATCHPROJECTWAVEFORMEDIT POINTINOUT IN-OUT TO

148Chapter 13: Using the Effects2. Press the [F6] key to select the effect you wish to control.If you select “ EFFECT” as the QLMC mode, pressing th

149Chapter 13: Using the Effects5. Move the cursor to the right of the knob displayed in the Send 1 field, and adjust the Send 1 level.• Set the level

150Chapter 13: Using the Effects9. Play the DPS16.The reverb effect sound is mixed with the playback sound on the TRACK MIX channel (for which the sen

151Chapter 13: Using the EffectsUsing effects during ping-pong recordingYou can perform ping-pong recording while applying effects to multiple tracks.

152Chapter 13: Using the Effects6. Press the [MASTER] key and adjust the Send Master 1 level.Leave the level to 100 (default). Fine-adjust the level l

153Chapter 13: Using the Effects10.Press the [MAIN SCREEN] key to display the Main screen, then press [RECORD SELECT] keys 15 and16 to place tracks 15

154Chapter 13: Using the EffectsInserting effects to input signals while recordingYou may apply the DPS16’s effects to the specified INPUT MIX channel

155Chapter 13: Using the Effects✐TIPS:• If you insert two effects of the same type to two channels, you can use them as stereo-in/out effects. Forexam

156Chapter 13: Using the Effects5. Move the cursor to the right side of the knob indicated in the Send 1 field and adjust the level ofsignal sent to F

157Chapter 13: Using the EffectsEffect types and parametersThis section describes all types and parameters of the effects included in the DPS16’s inte

5Chapter 1: Overview of the DPS16Y Edit point keys ([IN] key/[OUT] key)These keys are used to store IN/OUT points that are used to specify the range o

158Chapter 13: Using the EffectsSTEREO CHORUSThis is a stereo chorus effect that adds the width and spread of the stereo image.12345678Parameter Setti

159Chapter 13: Using the EffectsMONO FLANGERThis is a common flanger effect with mono-in and mono-out. You can adjust the pan setting of the effect so

160Chapter 13: Using the EffectsXOVER FLANGERThis is a variation of the STEREO FLANGER. The feedback from the L/R channels is input to the oppositecha

161Chapter 13: Using the EffectsMONO PHASERThis is a common phaser effect with mono-in and mono-out. You can adjust the pan setting of the effect soun

162Chapter 13: Using the EffectsXOVER PHASERThis is a variation of the STEREO PHASER. The feedback from the L/R channels is input to the oppositechann

163Chapter 13: Using the EffectsPITCH SHIFTThis effect has a pitch shift with a range of +/– one octave, and can be set for the left channel and the r

164Chapter 13: Using the Effects• Switching the speed using the [F4]( MANUAL) key:Pressing the [F4] ( MANUAL) key repeatedly toggles between Rate 1 an

165Chapter 13: Using the EffectsTRIGGER PANThis auto pan effect becomes enabled when the output level of one of AUX sends 1–4 exceeds a certain level.

166Chapter 13: Using the EffectsPING PONG DELAYThis delay effect pans the effect sound left and right.123456Parameter Setting range Function1 Delay *1

167Chapter 13: Using the EffectsSTEREO DELAYThis delay effect can be set for the left and right channels individually.12345678Parameter Setting range

6Chapter 1: Overview of the DPS16Rear PanelMASTEROUTMONITEROUTLRLRAUX SENDMODEL NUMBER DPS161234OUT INDIGITALOUT/ THRUMIDISCSIFOOT SW.POWERON

168Chapter 13: Using the EffectsTAPE ECHOThis delay effect simulates a three-head tape echo machine. You can set three delay times individually. This

169Chapter 13: Using the EffectsREVERB>BIG ROOMThis stereo reverb effect simulates reverberations in a big room.1234567Parameter Setting range Func

170Chapter 13: Using the EffectsREVERB>BIG HALLThis stereo reverb effect simulates reverberations in a big hall.1234567Parameter Setting range Func

171Chapter 13: Using the EffectsREVERB>LIVE HOUSEThis stereo reverb effect simulates reverberations in a live house.12345678Parameter Setting range

172Chapter 13: Using the EffectsREVERB>BRIGHT HALLThis stereo reverb effect simulates bright reverberations in a hall.12345678Parameter Setting ran

173Chapter 13: Using the EffectsREVERB>REVERSEThis stereo reverb effect reverses the reverberations.123456Parameter Setting range Function1 Pre-D *

174Chapter 13: Using the Effects1 Link parameterThe Link parameter appears on the FX 1 and FX 3 screens. If you select the COMPRESSOR/LIMITER effect f

175Chapter 13: Using the EffectsNOISE GATEThis monaural effect mutes signals at a certain level (threshold) or lower. This is useful for cutting noise

176Chapter 13: Using the EffectsAUTOWAHThis monaural effect adds a swelling wah.1234Parameter Setting range Function1 Rate *1 0.1Hz – 10.0Hz Adjusts t

177Chapter 13: Using the EffectsCHORUS>DELAYThis effect consists of a chorus effect and a delay effect connected in series.12345678Parameter Settin

7Chapter 1: Overview of the DPS16Internal IDE hard disk• The DPS16 has an internal hard disk (optional) that conforms to the IDE standards. You need t

178Chapter 13: Using the EffectsPHASER/DELAYThis monaural effect consists of a phaser effect and a delay effect connected in series.12345678Parameter

179Chapter 13: Using the EffectsENHANCERThis monaural effect gives frame to the sound by adding new overtones.123456ENHANCERParameter Setting range Fu

180Chapter 13: Using the Effects0–10 +100–10 +10ShapeSlopeDry sound Delay soundPITCH CORRECTORThis monaural effect corrects the pitch of input signals

181AppendixAppendixSpecificationsPower supply : AC 120V 60Hz (US, Canada), 220–240V 50Hz (Europe) 30WOperating temperature : 10 – 35 C˚Operating Humid

182AppendixOutput level : MASTER OUT : –10dBu (max. +5dBu, load impedance: 47k ohms)MONITOR OUT : –10dBu (max. +5dBu, load impedance: 47k ohms)AUX SEN

183AppendixMIDI Implementation ChartDate: 12/99Model DPS16 Version: 1.0Function Transmitted Recognized RemarksBasic channel Default X XChanged X XMode

184AppendixInstallation of Options - For Service Technicians• Consult your AKAI professional dealer where you purchased or the AKAI professional Servi

185AppendixMounting Disk DriveFollow the following procedure to mount the Disk Drive inside the DPS16.Note 1: Set the Disk Drive in Master (or Single

000301-2APCPrinted in Japan1-3, Hiranuma 1-chome, Nishi-ku,Yokohama, Japan

WARNING!!To prevent fire or shock hazard, do not expose this appliance to rain or moisture.1-EnCAUTIONRISK OF ELECTRIC SHOCK DO NOT OPENCAUTION: TO RE

8Chapter 1: Overview of the DPS16 Connecting multiple SCSI devicesUse a daisy chain connection to connect multiple SCSI devices as shown below:termin

9Chapter 1: Overview of the DPS16Terminology and functions unique to DPS16The DPS16 is a product that integrates a hard disk recorder, digital mixer,

10Chapter 1: Overview of the DPS16For example, you can switch virtual tracks that are assigned to recording tracks (physical tracks) to recordmultiple

11Chapter 1: Overview of the DPS16TRACK MIX channels and INPUT MIX channelsThe DPS16’s mixer section offers ten channels (called “INPUT MIX channels”)

12Chapter 1: Overview of the DPS164 The master level of the stereo mix signal is adjusted by the master fader on the top panel. This signalis output f

13Chapter 1: Overview of the DPS163 The stereo mix signals of the INPUT MIX channels and TRACK MIX channels are adjusted for themaster level by the ma

14Chapter 1: Overview of the DPS16Scene memoryThe DPS16 can store a set of mix parameter settings as a scene, and recall the scene later. A scene is s

15Chapter 1: Overview of the DPS16The Main screen shows the following information:1 ProjectIndicates the name of the Project you are currently working

16Chapter 1: Overview of the DPS16Changing the settings and valuesYou can either use the [JOG] wheel or enter a numeric value directly to change the s

17Chapter 1: Overview of the DPS16Entering charactersYou can either select a character using the [JOG] wheel or type a character directly to enter cha

iWARNINGWARNING: WHEN USING ELECTRIC PRODUCTS, BASIC PRECAUTIONS SHOULD ALWAYS BE FOL-LOWED, INCLUDING THE FOLLOWING:WARNINGPower requirements for ele

18Chapter 1: Overview of the DPS163. Press the key that corresponds to the letter, number, or symbol you wish to enter.The character that corresponds

19Chapter 1: Overview of the DPS16 When the QLMC mode is set to MIXER:Pressing the [F6] key repeatedly toggles the following two options:• EQ ...

20Chapter 2: Recording on the DPS16Chapter 2: Recording on the DPS16This chapter describes the basic operations of the DPS16, including recording prep

21Chapter 2: Recording on the DPS16 Connecting sound sources• You can connect line-level instruments, such as a synthesizer or a rhythm machine, and

22Chapter 2: Recording on the DPS16Preparing to recordThis section explains the necessary preparations for recording.Turning on the power to the DPS16

23Chapter 2: Recording on the DPS16This Disk List screen indicates the status of the internal hard disk and the external drive connected to the SCSIbu

24Chapter 2: Recording on the DPS16Creating a new ProjectYou can create a new Project using the Create New Project window. This window appears when yo

25Chapter 2: Recording on the DPS16Recording the first trackThis section explains how to record the first track, using an example of recording a rhyth

26Chapter 2: Recording on the DPS16Recording to the first track1. Connect the output jacks of a rhythm machine to INPUT jacks 1 and 2.INPUT jacks 1 an

27Chapter 2: Recording on the DPS166. Press the [ ] button while holding down the [REC] button and start playing the rhythm machine.Recording starts o

iiWARNINGWARNINGTHIS APPARATUS MUST BE EARTHEDIMPORTANTThis equipment is fitted with an approved non-rewireable UK mains plug.To change the fuse in th

28Chapter 2: Recording on the DPS16Using locate pointsAfter you have finished recording the first track, you may want to store the points (time values

29Chapter 2: Recording on the DPS165. To locate the stored direct locate point, press the [GO TO] key when the DPS16 is stopped.The Shortcuts window a

30Chapter 2: Recording on the DPS16Overdubbing“Overdubbing” is a recording operation in which you record another part in a new track while monitoring

31Chapter 2: Recording on the DPS16Overdub operation1. Connect the bass guitar to INPUT jack 8. Play the bass guitar and use [INPUT TRIM] knob 8 to ad

32Chapter 2: Recording on the DPS165. Press the [MAIN SCREEN] key.The display returns to the Main screen.6. Press the [RECORD SELECT] key of track 3.T

33Chapter 2: Recording on the DPS16Using the Undo/Redo functionsIf you are not satisfied with a recording, you can use the Undo function to cancel the

34Chapter 2: Recording on the DPS16The data of takes 3, 4, 5, and 6 are discarded.Press the[UNDO] key(Number of steps: 0)New recordingReturns to the f

35Chapter 2: Recording on the DPS164. In the same way, store the punch out point (OUT point) in the [OUT] key.5. Press the Quick Function [F4] ( SELEC

36Chapter 2: Recording on the DPS16MixdownYou can repeat the steps described thus far to record up to sixteen tracks. However, this does not mean that

37Chapter 2: Recording on the DPS16Mixdown procedure1. Make sure that the master recorder is connected to the MASTER OUT jacks or the DIGITAL OUTjack.

iiiWARNINGVENTILATIONDo not prevent the unit's ventilation, especially by placing the unit on the soft carpet, in a narrow space,or by placing ob

38Chapter 2: Recording on the DPS16• EQ ON/OFF (equalizer on/off)• EQ HIGH FREQ (center frequency in the high range)• EQ HIGH LEVEL (boost/cut amount

39Chapter 2: Recording on the DPS16Completing operations on the DPS16Follow the steps below to turn off the power to the DPS16 and connected periphera

40Chapter 3: Transport/Locate OperationChapter 3: Transport/Locate OperationThis chapter describes the transport and locate operations of the DPS16.Us

41Chapter 3: Transport/Locate Operation1. Press the [WAVEFORM] key.The DPS16 enters Waveform mode and displays the following screen.12 3 4 51 Displays

42Chapter 3: Transport/Locate Operation4. When you finish using the [JOG] wheel/[SHUTTLE] knob, press the [MAIN SCREEN] key or any othermode key to ex

43Chapter 3: Transport/Locate OperationLocate operationYou may specify up to 100 points (locate points) in a song and store them to help you locate po

44Chapter 3: Transport/Locate OperationLocating the end point of a songThe DPS16 can locate the end point of a song.➸NOTE : The end point of a song me

45Chapter 3: Transport/Locate OperationStoring locate pointsYou can name and store up to 100 points in a song. You can store a position at which the m

46Chapter 3: Transport/Locate OperationDeleting a locate point from the locate listYou can delete a locate point stored in the locate list.1. Press th

47Chapter 3: Transport/Locate OperationIN point and OUT pointYou may also store locate points to the [IN] key and the [OUT] key in the same way as for

ivWARNINGWARRANTYAKAI professional M.I. Corp. warrants its products, when purchased from an authorized “AKAI professional”dealer, to be free from defe

48Chapter 3: Transport/Locate Operation Using the stored direct locate points1. Press the [GO TO] key while the DPS16 is stopped.The Locate List wind

49Chapter 4: Punch In/OutChapter 4: Punch In/OutPunch In/Out is a function that enables you to re-record only a specified part of the already recorded

50Chapter 4: Punch In/OutPunch in/out operation using a foot switchThis section explains how to perform the punch in/out operation using a foot switch

51Chapter 4: Punch In/OutAuto Punch In/OutAuto Punch In/Out is a function that automatically executes the punch in/out operation if you have specified

52Chapter 4: Punch In/OutPunch In/Out RehearsalRehearsal is a function that enables you to practice playing instruments or singing a song, pretending

53Chapter 5: Assigning Input Signals and TracksChapter 5: Assigning Input Signals and Tracks(Quick Patch mode and V. Track mode)This chapter describe

54Chapter 5: Assigning Input Signals and TracksBasic operations in Quick Patch modeAssigning recording sources to physical tracksWhen the DPS16 is se

55Chapter 5: Assigning Input Signals and Tracks➸NOTE : When you select the input signal as the recording source, make sure that the input signal isrou

56Chapter 5: Assigning Input Signals and TracksRouting input signals directly to the mixer’s master sectionWith the default settings, signals input at

57Chapter 5: Assigning Input Signals and Tracks Erasing the patchTo erase the patch, press the [F4] (CLEAR) key in Quick Patch mode.As shown below,

vTable of contentsTable of contentsChapter 1: Overview of the DPS16 ... 1Features of the DPS16 ...

58Chapter 5: Assigning Input Signals and TracksSelecting output signalsYou can select any signal output from the MASTER OUT jacks, AUX SEND 1–4 jacks,

59Chapter 5: Assigning Input Signals and TracksResetting the output signal assignment to the default settingReset the output signal assignment to the

60Chapter 5: Assigning Input Signals and TracksMain V. Track mode screenThe DPS16 offers two types of tracks: physical tracks and virtual tracks. Virt

61Chapter 5: Assigning Input Signals and TracksBasic operations in V. Track modeFollow the steps below to assign virtual tracks to physical tracks.1.

62Chapter 6: Mixer Function (Mixer Mode)Chapter 6: Mixer Function (Mixer Mode)This chapter describes the functions and operations in Mixer mode to set

63Chapter 6: Mixer Function (Mixer Mode)Control View pagePressing the [F1] (CONTROL) key while holding down the [MIXER] key or while the Channel View

64Chapter 6: Mixer Function (Mixer Mode)2. Use the [CURSOR] key to move the cursor to the Control field, and turn the [JOG] wheel to selecta mix param

65Chapter 6: Mixer Function (Mixer Mode) PANYou can adjust the stereo image for the channels.Range: R63 – 0 – L63✐TIP : You can also use the [PAN] co

66Chapter 6: Mixer Function (Mixer Mode) S1 ROUTE – S4 ROUTE (Send 1–4 routing)You can select how the signals of each channel are sent to AUX send 1–

67Chapter 6: Mixer Function (Mixer Mode) SEND1 LEV – SEND4 LEV (Send level 1–4)You can set the level of channel signals sent to AUX send 1–4 and the

viTable of contentsUsing locate points...28Overd

68Chapter 6: Mixer Function (Mixer Mode)➸NOTE : The number of AUX SENDs you can use simultaneously varies depending on the sampling ratesetting. The

69Chapter 6: Mixer Function (Mixer Mode) EQ HIGH L/EQ MID L/EQ LOW L (EQ level)You can set the boost and cut amounts for each EQ band.Range: –12dB –

70Chapter 6: Mixer Function (Mixer Mode)Channel View pagePressing the [F2] (CHANNEL) key while the Control View page is displayed accesses the Channel

71Chapter 6: Mixer Function (Mixer Mode) Master section viewIf the master section is selected on the Channel View page, the following screen appears.

72Chapter 6: Mixer Function (Mixer Mode)2 Send typeThis field enables you to select whether the two AUX sends (1–2 or 3–4) are used as individual mona

73Chapter 6: Mixer Function (Mixer Mode)Scene Memory pageWhile the Control View page or the Channel View page is displayed, pressing the [F4] (SCENE)

74Chapter 6: Mixer Function (Mixer Mode)3. Press the [F4] ( STORE) key.The current mix parameter settings are stored and the scene name changes from “

75Chapter 6: Mixer Function (Mixer Mode) Erasing a scene1. While the Control View page or the Channel View page is displayed in Mixer mode, press the

76Chapter 6: Mixer Function (Mixer Mode)2. Use the [INPUT SELECT] keys, [TRACK SELECT] keys, and [MASTER] key to select the desiredchannel.The followi

77Chapter 6: Mixer Function (Mixer Mode)[F6] keySend 1 Master: Master level setting for Send 1Send 2 Master: Master level setting for Send 2Send 3 Mas

viiTable of contentsChapter 5: Assigning Input Signals and Tracks(Quick Patch mode and V. Track mode)... 53Main Quick Patch mode screen .

78Chapter 7: Advanced Technique for MixingChapter 7: Advanced Technique for MixingThe DPS16 is designed for ease of operation from recording to mixdow

79Chapter 7: Advanced Technique for Mixing2. Move the cursor to the field for track 16, then press the [NUMBER/NAME] key and name this virtualtrack “

80Chapter 7: Advanced Technique for MixingYou can also assign these recorded virtual tracks to multiple physical tracks.Track 1Track 2Track 3Track 4Tr

81Chapter 7: Advanced Technique for MixingPing-pong recordingA “ping-pong recording” is an operation that enables you to mix multiple tracks and recor

82Chapter 7: Advanced Technique for Mixing5. On the Quick Patch screen, route the Bus L/R signals in the source section to track 15 and 16 in thereco

83Chapter 7: Advanced Technique for MixingMixing and recording several input signalsOn the DPS16, you can assign input channels (INPUT jacks 1–8, DIGI

84Chapter 7: Advanced Technique for Mixing9. Raise the master fader up to the = mark.The proper level cannot be monitored when the 1/2 channel faders

85Chapter 7: Advanced Technique for MixingAdding sounds during mixdownThe DPS16 is capable of playing back up to sixteen physical tracks via the TRACK

86Chapter 7: Advanced Technique for MixingUsing the Solo and Mute functionsThe DPS16 provides a Solo function that allows specified channels to be rou

87Chapter 7: Advanced Technique for MixingMute function1. Press the [MUTE] key to access the Mute function.The [MUTE] key flashes, indicating that the