Akai MPC Operator's Manual Page 71
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MPC2500 Operator’s Manual rev 1.0
61
Starting the recording
07. Press [MAIN] key.
The Main page will be displayed.
08. In the Type: field, press [WINDOW] key.
The Direct Recording window will be displayed.
If you press the [F5] (Turn ON) key, the window will
be closed and the MAIN page will be displayed with
waiting for the Direct Recording.
If you press the [F4] (CANCEL), the window will be
closed and the MAIN page will be displayed.
For this example, please select [F5] (Turn ON).
09. The MAIN page is displayed and the Type : field be-
comes “D.REC”.
The MPC2500 is now in stand-by mode for Direct
Recording. You can start the sequence freely in
stand-by mode for Direct Recording.
[F6] (RECORD) : The MPC2500 will start the re-
cording.
[F5] (CANCEL) : The MPC2500 will go back to
the ordinary MAIN page.
[F2] (CLICK) : The MPC2500 will go to the
“Click/Metronome” page.
You can set the click. For more information, see the
“Click/Metronome feature “ in Chapter 3: Sequence
feature.
Note: In the Direct Recording mode, you cannot change the Se-
quence, Track, or Track type. If you want to change them, press
[F5] (CANSEL) and go back to the MAIN page.
10. Press the [PLAY] or [PLAY START] key for playing
the sequence.
11. Press the [F6] (RECORD) key when you wish to start
the recording and play your performance.
The MPC2500 will start the recording and the bot-
tom of MAIN page will be changed as follows:
Note : In Direct Recording, the MPC2500 will keep the record-
ing by pressing the [F6] (STOP), whether the sequence is set to
LOOP ON or OFF.
You can stop the recording by pressing [F6] (STOP)
key. If you want to cancel the recording, press the
[F5] (CANCEL) key.
Tips : When you use Direct Recording, the foot switch is very
useful for starting/stopping the sequence, leaving your hands free.
For more information on this.
See “Foot switch” in Chapter 18: Other settings.
After finishing the recording, the Keep or Retry win-
dow will be displayed.
12.
Check the recorded sample by pressing [F4] (PLAY) key.
If you press the [F4] (PLAY) key, you can hear the
recorded sample until you release the key. If you
do not like the recording, you can delete the record-
ing and return to the RECORD page by pressing
the [F2] (RETRY) key. If you like the recording and
decide to keep it, proceed to the next step.
13. In the New name field, the recorded sample will have
a new name automatically.
If you wish to enter in a new name, use the [CURSOR]
keys and the DATA wheel to enter in the new name.
For more information about entering in a sample
name, see the “Setting names” section on page 10.
14. Select the Assign to pad field with the cursor and
select the Pad to which you wish to assign the sample
by hitting the Pad.
If you just wish to keep the recorded sample in the
MPC2500’s memory and not assign it to the Pad,
select OFF with the DATA wheel.
- Operator's Manual 1
- CAUTION 2
- FCC WARNING 5
- VENTILATION 5
- COPYRIGHT NOTICE 5
- Chapter 5: Step editing 31 7
- Chapter 6: Grid Edit 37 7
- Chapter 7: Song mode 42 7
- Chapter 10: Using the MPC2500 8
- Chapter 13: Program 78 9
- Chapter 14: Mixer 91 9
- Table of contents 10
- Chapter 1 : Introduction 11
- DATA INPUT section 12
- Control section 13
- PAD section 13
- Q-Link section 14
- Front Panel 14
- Rear Panel 15
- Chapter 1: Introduction 16
- Terminologies in MPC2500 17
- Drum Pad 18
- Program 18
- Memory Card 18
- Chapter 2 : Basic Operation 19
- Setting names 20
- Entering number with 21
- Numeric key 21
- Chapter 3 : Sequencer feature 22
- Recording the performance 23
- Playing back a sequence 24
- Other useful features for 24
- Timing correct feature 25
- Click/Metronome feature 26
- Detailed information on 28
- Changing the sequence name 29
- Chapter 3: Sequence feature 30
- Track features 31
- Track velocity feature 32
- Track mute feature 32
- Changing a track name 32
- Copying a track 33
- Deleting a track 33
- Deleting all tracks 33
- Solo function of a track 33
- MIDI sequencer features 34
- Handling the sustain pedal 35
- Chapter 4 : Editing sequences 36
- Moving events (MOVE) 37
- Chapter 4: Editing sequences 38
- Copying bars (COPY) 39
- Changing the order of tracks 40
- (TRACK MOVE) 40
- Chapter 5 : Step editing 41
- Basic operation 42
- Pad event 42
- Tempo change event 43
- Effect select event 43
- Real Time event 43
- For more infor 44
- Deleting an event 45
- Copying / pasting an event 45
- Moving an event 45
- Inserting an event 46
- Chapter 6 : Grid Edit 47
- - About the note variation 49
- Editing in GRID mode 50
- Copying (COPY)/ pasting 50
- (PASTE) an Event 50
- Moving (MOVE) an event 50
- Deleting (DELETE) an event 51
- Entering an event 51
- Chapter 7 : Song mode 52
- Creating a song 53
- Playing a song 53
- Other features in the SONG 54
- Note : during Song Conversion 55
- MUTE TRACKS IGNORED) 55
- Playing with pads 56
- TRACK MUTE Screen 57
- Solo function 57
- Selecting a sequence to play 58
- Setting the slider & knob 59
- Recording the slider/knob 60
- AFTER key 60
- Feature in MIXER mode 61
- Feature in TRIM mode 61
- Chapter 10 : 62
- Connecting the MPC2500 to 63
- Setting the MIDI input 63
- Changing a sequence by 64
- Program Change from an 64
- Preparing the recording 65
- Starting the recording 65
- Recording the digital signal 67
- Recording the MAIN OUT 67
- Preparation for recording 68
- Other Features 69
- Direct Recording feature 70
- Chapter 12 : Editing a sample 73
- Chapter 12: Editing a sample 74
- Silencing a range selected 75
- Saving part of a sample as a 75
- Sample window features 75
- Other editing functions 76
- Dividing a phrase sample 79
- Converting Divided samples 83
- PATCHED PHRASE 83
- Converting PATCHED PHRASE 83
- Editing a Patched Phrase 84
- DIVIDE REGION 85
- COMBINE REGION 85
- Setting the loop 86
- Linking the loop point to the 87
- Auto Phase Loop 87
- Chapter 13 : Program 88
- Setting the Amp Envelope 91
- Setting the Filter Envelope 92
- The functions in the Program 93
- Editing the sound of a sample 94
- Limiting the number of the 95
- Simulating the open/close hi 96
- Setting the overlap of the 96
- (voice overlap) 96
- Editing a pad sample 97
- Setting a LFO (Low Frequency 99
- Oscillator) 99
- Chapter 13: PROGRAM 100
- Chapter 14 : Mixer 101
- Mixer Automation 102
- Shortcut between MIXER 103
- Input Thru function 104
- INPUT THRU mode 105
- Applying filters to an 105
- Using Q-Link feature in 105
- Chapter 14: Mixer 106
- Chapter 15 : Effect 107
- Applying effects of the FX2 108
- Editing effects 108
- PHASE SHIFTER 109
- TREMOLO 109
- FLYING PAN 109
- CHORUS and FLANGER 110
- Using the master effect 111
- Editing the master effects 111
- Editing the effect set 111
- Chapter 16 : Save / Load 113
- Creating a new folder 114
- Saving a sample 114
- Saving a program 114
- at the same time 115
- Saving a sequence 115
- Saving data to the internal 116
- Loading a file 117
- (option) 118
- Loading a sequence 119
- Loading the ALL file 119
- Loading a folder 119
- Renaming a file 120
- Deleting a file 120
- Formatting the memory card 121
- Connecting the MPC2500 122
- to the Macintosh 122
- Chapter 18 : Other settings 124
- Initialize to Factory Preset 125
- Adjustment of Pad Sensitivity 125
- Continuous sample track 126
- Specifications 127
- Standard accessories 128
- Data Compatibility 128
- Preset program list 129
- MIDI Implementation Chart 130
- Printed in Taiwan 136
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