Akai S5000 Operator's Manual Page 252
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242 Version 1.21
VIRTUAL SAMPLES /
VIRTUAL SAMPLES
A major feature of the S5/6000 is the ability to record and playback what we call ‘virtual’ samples.
Virtual samples are, in fact, recordings made to and played back directly from disk. They may be
used in pretty much the same way an ‘normal’ samples loaded into memory except, of course,
their length is not restricted by how much memory you have installed.
The fact that they can be used almost exactly like normal samples means that they can be edited
and placed in a program
just like any normal sample
and can be processed by the filters, LFOs,
envelopes, etc.,
just like any normal sample
and a program can contain multiple virtual samples
mapped out across the keyboard
just like any normal sample
(programs can contain a combination
of RAM and ‘virtual’ samples by the way).
Programs containing virtual samples can be placed in a multi
just like any other program
and can
be tuned, mixed and sent to the EB20 (if installed on an S5000) and/or routed to their own outputs,
just like any other program
.
Any edits you may make to these virtual samples, programs and multis can be saved
just like any
normal sample, program or multi
and when you go to LOAD, ‘virtual’ samples appear in the list just
like any other. Load a program that contains ‘virtual’ samples and they will load just like any other
program (except, of course, you are not actually loading the sample(s) into memory as such so
load is VERY fast). Similarly, scroll down to a ‘virtual’ sample and load it individually and it will load
just like any normal sample (except a lot faster!).
Virtual samples can be used in a number of applications:
TO PLAY BACKING TRACKS
If you use DAT or some other means of playing pre-recorded stereo backing tracks live, you could
record these as virtual samples, place them in programs as appropriate and trigger them from the
S6000. Not only does this give you immediate playback of the backing tracks but the running order
of your set can be changed on the fly.
FOR ‘SPINNING IN’
They can be used to play ‘spin ins’ such as backing vocals, guitar or sax solos, whatever - stuff
that would normally use a lot of memory. The programs to which these ‘spin ins’ are assigned can
sit in a multi along with other ‘normal’ programs you may be playing so that they may be triggered
alongside other material. With a sequencer, you could be sequencing normal instruments such as
drums, piano, bass - whatever - whilst triggering virtual samples at the same time
and
playing live
over the top of this.
FOR MASTERING
You could conceivably mix down to your S6000 by recording the outputs of your mixer as virtual
samples. These may be edited later (for example, editing out the count in, applying a fade out at
the end, adding some EQ - whatever). Once you have mastered all your tracks in this way, they
are much easier to transfer to DAT, MiniDisk, CD-R digitally (you could even map each one across
the keyboard in a program and then ‘play’ them to your mastering machine).
In a similar vein, you can master the outputs of the sampler by selecting OUTPUTS 1/2 as the
record source and recording directly to disk.
NOTE: In these two cases, it is possible to be playing the S6000 at the same time as recording
to disk. If, however, the sampler is playing back virtual samples at the same time as recording
you may experience problems if the disk bandwidth is exceeded. Recording requires more
disk bandwidth than playing back and so recording may fail and/or virtual samples that previously
played back perfectly may fail.
- Operator’s Manual 1
- Important Notice 2
- / WARNING 3
- IMPORTANT 4
- FCC WARNING 5
- VENTILATION 5
- COPYRIGHT NOTICE 5
- CONTENTS 7
- WARNING / 10
- APPENDICES 10
- / INTRODUCTION 11
- INTRODUCTION / 12
- USER INTERFACE 13
- ABOUT THIS MANUAL 13
- S6000 FRONT PANEL 14
- MAIN PANEL 14
- REMOVABLE PANEL (S6000 ONLY) 15
- REMOVABLE PANEL CABLE LENGTH 17
- S6000 REAR PANEL 18
- S5000 FRONT PANEL 20
- S5000 REAR PANEL 20
- CONNECTING THE S6000 21
- MOUNTING THE S6000 22
- SWITCHING THE S6000 ON 23
- KEY CONVENTIONS 25
- POP-UP WINDOWS 28
- TOOLS MENUS 30
- NUMERIC KEYPAD 31
- CURSOR KEYS 31
- MARK/JUMP KEYS 32
- USER KEYS (S6000 ONLY) 32
- / STRUCTURE 33
- S6000 STRUCTURE 33
- STRUCTURE / 34
- VOICE ARCHITECTURE 36
- Version 1.21 29 39
- LOAD FOLDER 40
- LOADING MULTIS 41
- LOADING PROGRAMS 41
- LOADING SAMPLES 42
- AUTOLOAD 43
- OPEN/CLOSE FOLDER 44
- AUDITION SAMPLE 44
- SELECTING DISKS 45
- DISK TOOLS 46
- DISK INFO 46
- CLEAR MEMORY 46
- VIEW ITEMS 46
- Version 1.21 37 47
- 38 Version 1.21 48
- Or you may view 18 parts: 49
- SELECTING PARTS 50
- • When a part 51
- CREATING A MULTI 52
- ASSIGNING PROGRAMS TO PARTS 53
- EDITING PARTS 54
- Version 1.21 45 55
- 46 Version 1.21 56
- WINDOW FUNCTIONS 57
- 48 Version 1.21 58
- Version 1.21 49 59
- EDIT PART 60
- MULTI TOOLS 61
- MULTI LIST 64
- Version 1.21 55 65
- 56 Version 1.21 66
- Version 1.21 57 67
- 58 Version 1.21 68
- PART TOOLS MENU 69
- 60 Version 1.21 70
- Version 1.21 61 71
- 62 Version 1.21 72
- Version 1.21 63 73
- 64 Version 1.21 74
- Version 1.21 65 75
- 66 Version 1.21 76
- Version 1.21 67 77
- 68 Version 1.21 78
- 70 Version 1.21 80
- Version 1.21 71 81
- 72 Version 1.21 82
- Version 1.21 73 83
- 74 Version 1.21 84
- USING MULTIS 85
- 76 Version 1.21 86
- Version 1.21 77 87
- 78 Version 1.21 88
- Version 1.21 79 89
- EDIT PROGRAM 90
- MIDI/TUNE 96
- EDIT USER 97
- PITCHBEND 98
- EDIT PROGRAM / 100
- / EDIT PROGRAM 101
- KEYGROUP 105
- SELECTING KEYGROUPS 107
- KEYGROUP ZONES 108
- SELECTING AND EDITING ZONES 114
- KEYGROUP CROSSFADE 116
- KG PITCH/AMP 117
- AMP ENVELOPE 132
- AMP ENVELOPE WINDOW FUNCTIONS 133
- FILTER ENVELOPE 134
- AUX ENVELOPE 135
- AUX ENVELOPE WINDOWS 136
- CREATING PROGRAMS 137
- CREATING (COPYING) KEYGROUPS 137
- PROG TOOLS MENU 138
- GET INFO 138
- PROGRAM LIST 139
- QUICKLOAD 150
- QUICKSAVE 150
- / EDIT SAMPLE 151
- EDIT SAMPLE 151
- EDIT SAMPLE / 152
- SETTING A GOOD LOOP 165
- FADE UP/DOWN 172
- SAMPLE DATA BLOCKS 173
- ORIGINAL RECORDING 173
- 70% TIMESTRETCH 173
- PITCH SHIFT 177
- BPM MATCH 178
- RE-SAMPLE 179
- SAMPLE TOOLS 181
- SAMPLE LIST 185
- STEREO AND MONO SAMPLES 187
- RECORD / 188
- / RECORD 189
- SETTING RECORD LEVELS 190
- NAMING RECORDINGS 190
- MAKING A RECORDING 191
- RECORD ERROR MESSAGES 195
- 186 Version 1.21 196
- Version 1.21 187 197
- 188 Version 1.21 198
- Version 1.21 189 199
- EDITING THE EFFECTS 200
- Version 1.21 191 201
- RING MOD/DISTORTION 202
- Version 1.21 193 203
- WID = 99 204
- WID = 00 204
- EQ MODULATION 205
- MODULATION EFFECTS 206
- Version 1.21 197 207
- ROTARY SPEAKERS 208
- Version 1.21 199 209
- FREQ/AMP MOD 210
- PITCH+FEEDBACK 212
- MODULATION EFFECTS TEMPLATES 213
- DELAY FX 214
- MONO LEFT 214
- MONO L/R 215
- XOVER L+R 216
- STEREO DELAY 216
- DELAY EFFECTS TEMPLATES 216
- REVERB EFFECTS 217
- 208 Version 1.21 218
- Version 1.21 209 219
- 210 Version 1.21 220
- DIST/EQ MOD FX ECHO REVERB 221
- EFFECTS TOOLS 222
- COPYING EFFECTS 223
- 214 Version 1.21 224
- Version 1.21 215 225
- 216 Version 1.21 226
- Version 1.21 217 227
- NOTES REGARDING SAVE 228
- / UTILITIES 229
- UTILITIES 229
- SYSTEM SETUP 229
- UTILITIES / 230
- SET CLOCK 231
- PREFERENCES 232
- MIDI SETUP 233
- MIDI FILTER 234
- FX IN/OUTS 235
- DISK UTILS 236
- RENAMING ITEMS ON DISK 236
- DELETING ITEMS FROM DISK 237
- FORMATTING DISKS 238
- DISK TO BE COMPLETELY ERASED 239
- UNLOCK DISK 242
- MEMORY TEST 243
- SHOW HARDWARE 244
- SET PLAY KEY 245
- TEST TONE 245
- SAVE O/S TO FLASHROM 246
- SAVE O/S TO FLOPPY DISK 248
- LOADING OPERATING SYSTEMS 249
- VIRTUAL SAMPLES / 252
- VIRTUAL SAMPLES 252
- / VIRTUAL SAMPLES 253
- HOW DOES IT WORK? 253
- RECORDING VIRTUAL SAMPLES 255
- LOADING VIRTUAL SAMPLES 257
- CONVERTING SAMPLE TYPES 258
- EDITING VIRTUAL SAMPLES 259
- SPECIFICATIONS / 260
- / APPENDIX A 261
- MIDI CONTROLLER LIST 261
- APPENDIX A / 262
- / APPENDIX B 263
- SCSI CABLES 263
- TERMINATION 263
- APPENDIX B / 264
- SCSI IDs 264
- SCSI CABLE LENGTH 264
- / APPENDIX C 265
- APPENDIX C / 266
- USING WINDOWS 95 ON THE MAC 270
- APPENDIX D / 272
- / APPENDIX D 273
- / APPENDIX E 275
- SOUND LIBRARY COMPATIBILITY 275
- APPENDIX E / 276
- APPENDIX F / 278
- / APPENDIX F 279
- NOTES ON BUYING MEMORY 279
- / APPENDIX G 281
- WHAT IS SAMPLING? 281
- LOOP ZONE LOOP LOOP LOOP 282
- ORIGINAL SOUND 282
- Note on Note off 282
- KG1 KG2 KG3 KG4 KG5 284
- APPENDIX G / 286
- 278 Version 1.21 288
- 280 Version 1.21 290
- Yokohama, Japan 292
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