Akai HV 1 Operator's Manual Page 13

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Duo Buddy HV1
5
Adding major 3rd harmony
Let’s try adding the major 3rd harmony to the original sound with appropriate key setting.
As an example, let us use the Program A in Bank 8 and edit it to add the major 3rd harmony
for the song in A Major.
1. Select the Program A in Bank 8 using the DATA control and foot switches (Value LED
should indicate [8C]).
2. Press the EDIT button (The EDIT LED lights up).
3. Rotate the PARAMETER control and set to KEY. The current key setting, i.e. [C], is
indicated.
4. With the DATA control, change the key to [A].
5. Set the PARAMETER control to STYLE. The current style, i.e. [8], is indicated.
6. With the DATA control, change the style to [3].
7. Press the EDIT button to complete the editing ([8A] is indicated now).
The selectable options for the KEY are,
C, C#, D, D#, E, F, F#, G, G#, A, A# and B (Program A)
C, C#, D, D#, E, F, F#, G, G#, A, A#, B and L (Program B)
Note 1: The small dot appearing at top left of alphabet for the KEY indication means “#”. For
example, [
C] means “C#”.
Note 2: The “L” for the Program B means the Link function. When “L” is selected, the keys
for the Program A and B are always set to the same key. When the key of either Program A
or B is changed with the foot switches in Play mode, the key of the other Program is changed
also to the same key (Refer to Foot Switch Operations).
Using Sub-Style
In either Play mode or Edit mode, when the foot switch of the selected Program is pressed
down, the Sub-Style is activated. For example, when the Program A foot switch is pressed while
the Program A is currently selected, the style changes from the main style to sub-style. The sub-
style is only active while the foot switch is being held down and releasing the foot switch activates
the main style back. While the sub-style is active, a small dot appears at top left of Bank indication.
Sub-style
The sub-style means the substitute harmony style, as the name implies. The Duo Buddy
has 12 preset styles and 9 user styles. However, there may be an occasion that the
harmony of the main style is inappropriate in a particular place of the song. In such a
case, you may work around it by switching to the sub-style.
For example, with the Preset Style “3” (major 3rd) used in C key, an E harmony is added
for the incoming note at C. Instead, the D# harmony is added for the C note when the
sub-style is activated.
Practical Operations
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