Akai MPC 60 Operator's Manual Page 54

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Chapter 3: Recording Sequences
Page 48
1. SEQUENCE: Within each sequence is a unique tempo
setting. If this option is selected, this unique sequence tempo
is used. In this case, whenever the active sequence number
is changed, the newly selected sequence’s tempo
immediately becomes active. When playing sequences, this
is useful if you want each newly selected sequence to play at
its own preset tempo. Only the sequence’s tempo is saved to
disk when a sequence is saved.
2. MASTER: The master tempo is a single tempo setting that
applies to all sequences and songs. When playing sequences
this is useful if you want each newly selected sequence to
always play at the same tempo.
• Tempo Display Mode field (BPM/FPB:BPM
):
This field has the same function as the Tempo Display Mode field in the
Play/Record screen: it determines whether the active tempo is displayed
as Beats Per Minute or Frames Per Beat. It is a choice field with two
options:
1. BPM: The tempo is displayed in Beats Per Minute, with the
digit to the right of the decimal point indicating tenths of a
beat. This is the most common format used to specify a
tempo setting. In this mode, the range of tempo settings in the
MPC60 is from 30 BPM to 300 BPM. Beats Per Minute is also
sometimes referred to as metronome marking, or MM.
2. FPB: This is another way of specifying tempo settings and is
often used in the making of music for film or video
soundtracks, because the tempo is referenced to the number
of film or video frames that pass for every beat of music.
Frames Per Beat is also sometimes referred to as click. If the
FPB setting is in use, the digit to the right of the decimal point
in any of the numeric tempo settings indicates eighths (1/8 of
a frame). The range is from 0 to 7. There are four different
types of FPB tempo, described in the Frames field below.
• The Frames field:
This field selects one of four Frames Per Second standards, used to
calculate the current FPB (frames per beat) setting. It also sets the frame
rate (and therefore affects the tempo) for received SMPTE sync or MIDI
Time Code. The four options are:
30 (30 frames per second, non-drop):
This is the most common frame rate for music production in the
United States. It was also the standard for black and white
television in the U.S. Using this mode, the tempo range of the
MPC60 is from 60.0 to 6.0 FPB.
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