Akai MPC 60 Operator's Manual download pdf (Page 230)

Appendix

Page 224

The PGM (single program) file

Program name (file name is used)

For each of the 64 pads (A01–D16):

• Note number assignment

For each of the 64 note numbers 35–98:

• Sound name (name only—program contains no sound data)

• Sound assignment mode (normal, simultaneous, velocity

switch or decay switch)

• Alternate note number assignments (2)

• Velocity or decay switch thresholds (2)

• Envelope attack, decay and decay mode

• Velocity modulation of attack, start address and volume

• Tuning

• Poly mode (poly, mono or note off)

• Cutoff assignments (2)

Note variation data:

• Note number assignment for slider

• Low and high range limits for each of the three parameter types

(tuning, attack, or decay)

• For each of the 64 note numbers (35–98):

• Note variation parameter select

Program mixer data (for each of the 64 note numbers 35–98):

• Stereo mixer volume and pan

• Individual out/echo mix assignment

• Individual out/echo mix volume

• Indiv Out/Echo Mix Volume Follows Stereo (yes/no)

The APS (all programs and sounds) file

Program data for each of the 8 programs (see above)

Active program number

Source of mixer data (program, sequence or master):

• For stereo mix

• For individual output/echo mix

Record live mix changes setting (on/off)

Audio trigger note number assignment

Master mixer data (for each of the 64 note numbers 35–98):

• Stereo mixer volume and pan

• Individual out/echo mix assignment

• Individual out/echo mix volume

• Indiv Out/Echo Mix Volume Follows Stereo (yes/no)

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Akai MPC 60 Operator's Manual Page 230