Akai RE32 Operator's Manual download pdf (Page 73)

Version 1.00 63

EDITING

This also works for stereo cues. Line the cues you are interested in on the NOW time, select both

relevant tracks for EDIT and press SELECT Q. The IN and OUT will be placed at the start and end

of the cues on both tracks and the SYNC marker placed at the point of selection. I.e.:

PLAY

EDIT

PLAY

NOW

BLUE (PLAY) GREEN (SELECTED)

IN OUT

PLAY

SYNC

EDIT

EXAMPLE B - SELECTING A STEREO CUE ACROSS TWO TRACKS

You may also select multiple cues in this way. In this case, the IN and OUT will be placed at the

start and end of the longest cue(s) and anything that falls within that edit region will be selected.

For example, imagine that you have this situation:

PLAY

EDIT

PLAY

NOW

EDIT

BEFORE USING SELECT CUE

Pressing SELECT Q will give this result:

PLAY

EDIT

PLAY

BLUE (PLAY) GREEN (SELECTED)

IN OUT

EDIT

NOW

SYNC

EXAMPLE C - SELECTING MULTIPLE CUES

When multiple cues are selected (i.e. several tracks in edit), all selected cues are highlighted

green. If you turn any of the selected tracks off, those cues are de-selected but, if you turn them

back on again, they are re-selected. To select other cues on other tracks, simply turn them on for

EDIT.

Cues selected using SELECT Q may be subjected to all the various editing functions available but

without the need to specifically mark IN and OUT times.

It must be said that multiple cue selection is not the prime use of SELECT Q. Its principle use is to

select a single cue on one track (or stereo cue on two tracks) for editing (copying, cutting, erasing,

slipping, nudging, timestretching or for setting the level and fade up/down parameters). However,

you can, if you wish, use SELECT Q for selecting multiple cues in a larger edit region (for example,

for setting the levels or a common fade down time for a group of cues). Although this can be

achieved by specifically setting the IN and OUT times manually, you may find it saves you time to

use SELECT Q.

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Akai RE32 Operator's Manual Page 73

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