Akai RE32 Operator's Manual download pdf (Page 35)

Version 1.00 25

GETTING STARTED

As a very simple example, imagine you wish chop out a cough from a vocal track on track 4. Select

track 4 for editing, play (or locate or fast forward/rewind or jog) to the start of the cough, jog over it

to find an exact start point (you may also refer to the waveform shown on the monitor for extra

assistance) and press the IN key. Now jog to the end of the cough and press the OUT key at an

appropriate point. Pressing the EDIT key and selecting CUT will get rid of the cough and close the

gap, shifting all subsequent audio backwards accordingly; pressing the EDIT key and selecting

ERASE will also get rid of the offending cough but will keep the gap created, thus preserving

timing. For example:

IN OUT

BEFORE CUT

AFTER CUT

IN OUT

BEFORE ERASE

AFTER ERASE

You may, of course, edit entire cues in this way. For example, let’s say you have a backing vocal

you wish to copy, select the track for editing, go to the cue, press SELECT Q followed by EDIT and

COPY. In this case, you have not needed to specifically mark IN and OUT times - simply selecting

the cue was sufficient. Multiple cues (across several tracks if necessary) may also be edited this

way. You may now locate to the point you want to place the copy and press PASTE or INSERT.

Of course, this is just a very simple example and there are many different ways the RE32 system

may be used to edit and sync audio. However, whatever it is you are trying to achieve, you will find

that all functions are consistent, making operation easy and fast.

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Akai RE32 Operator's Manual Page 35