Akai S1000 Series Operator's Manual Page 57

  • Download
  • Add to my manuals
  • Print
  • Page
    / 96
  • Table of contents
  • BOOKMARKS
  • Rated. / 5. Based on customer reviews
Page view 56
Sampler functions
functions functions
functions
SELECT SAMPLE (S1000PB only)
NOTE: This section applies to the S1000PB only. If you are using another model in the
series, this section does not apply. Please resume reading at the "EDIT PROG" section,
page ??.
From any page, press the SELECT SAMLE button, and you are in a position to get information
on, copy, delete or rename a sample. The first thing to do is to select a sample. Use the
CURSOR buttons to make sure that the cursor is at the top right of the screen, and the
DATA buttons to select a sample. Sample names are up to 12 characters long for a mono
sample - and 10 characters for stereo (followed by the characters "-L" or -R", added by the
S1000 at sample time.
To enter a new sample name for copying or renaming, press NAME and use the other buttons
to enter a name
ENT/PLAY when done. A name such as "HUGHS SAMPLE" will mean nothing
in a month's time, while "HUGHS BASS" will at least tell you what kind of instrument the
sample refers to. Now use
COPY or REN to copy or rename the existing sample to the name
you've just entered. If the name already exists for a sample, the S1000PB will display this.
To delete a sample, simply press the DEL button to delete the currently-selected sample. This
operation cannot be undone, so make sure that you have a copy on disk if you want to use
this sample at any time in the future,
The
"monitoring program" can be set to either MONITOR or a program name. This
enables you choose what sound will be heard when you press
ENT/PLAY button. Usually, you
should set this to MONITOR.
There are two soft keys which bring up other pages PARA and LIST.
PARA
This page allows you to alter certain parameters of individual samples. The field where the
sample is selected is, once again, at the top right of the screen. Use the DATA buttons to
select the sample.
The next parameter allows you to alter the original pitch at which the sample was recorded,
so that when you replay it on the keyboard, it will come out at the correct pitch. Further fine
tuning (in semitones and cents) can be done with the next parameter.
The next parameter determines the way in which the sample will be played back. There are
four options available here. Note that these settings depend on a loop point which has
previously been set up on a S1000 which is capable of recording and editing samples.
The first is LOOP IN RELEASE. This means that when a key is pressed, the sample will
play through all the loops until the first HOLD loop is reached. When the key is released, the
HOLD loop will continue to play as the release falls away.
LOOP UNTIL RELEASE is slightly different. Again, the sample will play, with all loops,
until the first HOLD loop is reached. However, when the key is released, the loop will end,
and the remaining portion of the sample (if any) will be played. This is a useful setting for
sounds which have a definite attack, an indefinite sustain period (set with the loop), and a
-definite release characteristic.
P
a
g
e 49
Version 2.0 89/11
Page view 56
1 2 ... 52 53 54 55 56 57 58 59 60 61 62 ... 95 96

Comments to this Manuals

No comments