Akai S1000 Series Operator's Manual Page 42

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Sampler functions
Under the "
monitor" parameter is a message telling you how much memory is
free, both as a number of 16-bit words, and as a percentage of total memory
available. If you have followed the instructions so far, this will read
"1048064=100%". 1048064 words are equal to 2 megabytes for obscure
computer-based reasons which are too tedious to explain here. These values cannot
be changed.
sample name
If you want to select or enter an existing sample name for re-recording, you can do it here
with the DATA knob or the
NAME button and letter/number buttons. This field will not
allow you to rename the sample.
bandwidth
Either 10kHz or 20kHz. These figures refer to the audio bandwidth of the completed
sample - not the sampling frequency, which is either 44.1kHz or 22.05kHz (for the
technically minded, Nyquist's theorem' applies here). Sampling at the lower frequency
will give you more memory, but filter out the top octave. For some sampled sounds this
may not matter - like the choice between stereo and mono, it's up to you, and the final use
of your sample.
orig. pitch
(original pitch) - default is C_
3. Incidentally, if you prefer to work with MIDI note
numbers rather than key names, press the
REC1 key again to display the MIDI note
number. This feature is available in all pages which use note names and note numbers.
Make this parameter equal to the pitch of the sample source. For unpitched sounds, of
course, this can be any value.
record tim:
(recording time). Once the S1000 starts sampling it
will carry on until it runs to the end of
the time set here (you can set this field to one-hundredth of a second precision). As you
alter the value here, you will see the figures underneath change, showing you the amount
of memory that this time represents, in bytes, and as a percentage of total memory
available.
SOFT KEYS
SLCT
The SLCT button takes you back to the opening page of the EDIT SAMPLE section. Any
soft key labelled in this way will usually take you back one level of page.
REC1
Pressing this button toggles between MIDI note number and key name display.
REC2
Enters the second recording page -- where the actual recording of a sample takes place.
1 Nyquist's theorem (sometimes known as Shannon's sampling theorem) is a mathematical statement that a
digital-analog or anaor -digital conversion process needs a digital data rate of more than twice the highest analog
frequency in er to convert data with no distortion. The nature of the low-pass filtering employed affects the exact
ratio.
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