Akai S1000 Series Operator's Manual Page 14

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Introduction
Features
The AKAI S1000 is a high-quality digital sampler. With a sampling rate of 44.1kHz, and
16-bit resolution, the S1000 is capable of recording and replaying samples literally of CD
quality, and the basic unexpended unit has a total sample time of over 23 seconds (mono).
Memory may be added in 2Mbyte boards to a total of 8Mbytes to give over 90 seconds of
total sample time.
There are three models in the AKAI S1000 series: the basic S1000, with a diskette drive, the
51000HD, with an integral 40Mb hard disk, and the S1000PB, which has a diskette drive,
but none of the sample recording or editing facilities of the other models. The S1000PB is
especially useful for setups where more than 16-note polyphony is required (using a S1000
and S1000PB), or as a playback-only sampler for live work. A 51000 may be used for
recording and editing of samples, and they may then be transferred to a S1000PB using
diskette or MIDI Sample Dump, and replayed. Diskette and MIDI data is, naturally,
completely compatible between all models in the range, as well as with the S1000KB
sampling keyboard.
16-note polyphony allows complex passages to be played with the full sample time. The
samples may be edited with full trimming facilities (down to 1 sampling period), looped at
up to 8 loop points per sample (with tuning of the loop), spliced to other samples, filtered
and sent through two independent ADSR envelope generators. Full velocity, positional and
looping crossfading is possible. Basic synthesizer waveforms (sine, triangle, etc) are
available on disk for synthesizer/sampler sounds.
The S1000 is also capable of editing samples digitally - "stretching" or "squeezing" samples
without changing the pitch in order to fit them into a specific time slot. Resampling can be
done at any frequency (higher or lower than the original).
The stereo facility is ideal for sampling portions of prerecorded program material (making it
an ideal tool for "house", "hip-hop" etc productions), as well as for sampling ambient
acoustic sounds.
Naturally, a full MIDI implementation is built in - multi-timbral capabilities making the
S1000 perfect for use with a sequencer such as the AKAI MPC-60 or ASQ-10.
Special functions for remote operation of the AKAI ME-35T Audio/MIDI trigger unit (1 or
2 can be controlled), together with a single-trigger monophonic mode make the S1000 into a
real-time percussion tone generator.
In the studio, eight separate outputs allow maximum flexibility in mixing and adding effects.
However, stereo operation is possible from just two outputs, and a built-in stereo effects
send/return loop can save channels and space in live work.
The S1000 is capable of processing up to 200 samples, 100 programs, or a combination of
up to 400 samples + programs + keygroups. The internal 3.5" floppy disk drive provides a
quick easy method of storing and retrieving data (samples, programs and other settings).
Hard disks may be used by the S1000 when using the optional IB-103 interface board
(AKAI provide a 40Mbyte capacity drive which may be mounted internally), but any
SCSI-compatible drive may be used up to a capacity of 512Mbytes. The hard disk may be
divided into partitions and volumes, and individual volumes may be auto-
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