Akai S1000 Series Operator's Manual Page 206
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Chapter 10: Syncing to Tape and Other Devices
The SYNC Screen
To access the sync input and output settings, press the TEMPO/
SYNC key, followed by the <SyncScreen> soft key. The following
screen will be displayed:
===== Sync In ====== ==== Sync Out ====
Mode:MIDI CLOCK MIDI sync:OUT A
Shift early (ms):20
MIDI Input:2
Song pointer:ON
==================== ==================
<SyncIn=OFF> <GenSMPTE>
This screen has two sections, Sync In and Sync Out.
The Sync In section
The left side of the Sync screen shows all settings related to slaving
the MPC3000 to an external source. There are five possible sync
input signals:
1. MIDI CLOCK:
This is the standard method of syncing two MIDI devices to-
gether. Since the sync signal is only sent over MIDI, this method
cannot be used with tape. When the MPC3000 is slaved to MIDI
clock, the internal tempo settings are not used, because MIDI
clock provides the tempo information.
2. SMPTE:
SMPTE timecode is a standard sync code used in video, film, and
music. SMPTE code contains information about absolute elapsed
time, but no tempo information. So when syncing to SMPTE, the
MPC3000’s internal tempo settings are used. When syncing to
SMPTE, always use the same tempo setting each time you play
the sequence or song. Tip: using the SEQ (sequence) tempo mode
(set in the Tempo Source field of the Play/Record screen) will
ensure that your sequences will play at the desired tempo,
because that tempo is stored with the sequence disk file.
COMMENT: The SMPTE selection is only available if the I-
0055 SMPTE option is installed. See “The SMPTE Option”
in the Appendix of this manual for information.
- MIDI PRODUCTION CENTER 1
- Operator's Manual 1
- MIDI Production Center 5
- WARNING!! 6
- IMPORTANT 8
- LITHIUM BATTERY 9
- FCC warning 9
- COPYRIGHT NOTICE 9
- FRONT PANEL 10
- REAR PANEL 10
- Table of Contents 11
- Chapter 1: 15
- Introduction 15
- Welcome! 16
- Features 17
- If You Already Know the MPC60 22
- To bar field 25
- Chapter 2: 26
- The Basics 26
- Hooking Up Your System 27
- Getting Around on the MPC3000 28
- 1/4 NOTE 30
- Note Number, and Program 32
- Selecting Programs 36
- Note field) 37
- The 16 LEVELS key 39
- Chapter 3: 42
- Recording 42
- Sequences 42
- How Sequences are Organized 43
- ===== Play/Record =====) : 45
- The Play/Record Keys 52
- Drum Pattern 55
- <Initialize> 56
- Notes field will 56
- Sequence 57
- Type field to DRUM 58
- Errors, Swing Timing 62
- The Note Repeat Feature 65
- Tempo and the TEMPO/SYNC Key 66
- Mid-Sequence Tempo Changes 69
- The TAP TEMPO Key 71
- The AUTO PUNCH Key 73
- The SIMUL SEQUENCE Key 75
- The OTHER Key 76
- Chapter 4: 84
- Editing Sequences 84
- The ERASE Key 85
- Initializing a Sequence 88
- The SEQ EDIT Key 90
- Rearranging the Track Order 91
- Deleting Bars From a Sequence 93
- Copying Bars (All Tracks) 94
- Copying Events 95
- Seqnc field: 100
- Track field: 100
- Ticks fields: 100
- Notes field: 100
- The STEP EDIT Key 105
- Using Step Edit 106
- Step Edit Event Types 108
- Step Edit Options 112
- Step Recording 115
- The EDIT LOOP Key 116
- Number of bars field to 1 117
- The TRANSPOSE Key 118
- Amount field to 0 119
- Chapter 5: 120
- Song Mode 120
- Overview 121
- Pgm field (in 126
- Convert from song field: 127
- To sequence field: 127
- <Do it> soft key: 127
- Chapter 6: 128
- Creating and 128
- Editing Programs 128
- What Are Programs? 129
- VEL SW (velocity switch): 134
- <Play> soft key: 137
- Poly Mode 138
- The Dynamic Filter 141
- Reson (resonance) field: 142
- Attack field: 142
- Decay field: 142
- Amount field: 142
- Copy from note field 143
- Of program 143
- Copy to note field 143
- Chapter 7: 146
- MIXER/EFFECTS 146
- The Stereo Output Mixer 147
- E for effects) indicating the 149
- Follow ster 152
- Note field: 152
- Volume field: 152
- Stereo mix field: 155
- PROGRAM: 155
- PROGRAM is 155
- SEQUENCE: 155
- SEQUENCE is 155
- Stereo Mix 157
- SEQUENCE 157
- Effects Generator 158
- Chapter 8: 160
- Editing Sounds 160
- Sampling a New Sound 161
- Ground Low High 164
- Editing a sound 167
- Chapter 9: 175
- Saving to and 175
- Loading from Disk 175
- Saving Files 178
- File name field: 183
- Disk field: 183
- Size field: 183
- Free field: 183
- <Load 191
- Becomes note field: 193
- File field: 196
- Free(snd) field: 196
- <Load> soft key: 196
- Formatting a Floppy Disk 198
- Using a SCSI Hard Disk 199
- Copy, format disk) from 200
- STANDARD 200
- Copying an Entire Floppy Disk 203
- Chapter 10: 205
- Syncing to Tape 205
- The SYNC Screen 206
- Syncing to MIDI Clock 213
- Syncing to SMPTE 213
- Appendix for more information 214
- Syncing to MIDI Time Code 216
- Syncing to FSK24 216
- Syncing to 1/4-note Clicks 218
- Chapter 11: 219
- MIDI Functions 219
- Pedal Processing 222
- MIDI Input Filter 225
- Turning All Notes Off 228
- Appendix 231
- Technical Specifications 232
- Answers to Frequent Questions 234
- On field in the Play/Record 235
- Type of DRUM 235
- Contents of Disk Files 237
- MPC3000 Options 241
- The Video Output Option 242
- Page 231 243
- New Features of Version 3.1 252
- Saving a Standard MIDI File 254
- Loading a Standard MIDI File 255
- CD-ROMs or Hard Disks 257
- MIDI Machine Control 262
- MIDI Sample Dump 265
- Save or Load 269
- 940912 Imprimé au Japan 276
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