Akai DPS16 Operator's Manual Page 153
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Chapter 12: MIDI Applications
Recording and playing back a mix automation
The operations of the channel faders, [MASTER] fader, and [PAN] controls on the top panel can be transmitted as
the Control Change messages. Recording and playing back these Control Change messages on the MIDI se-
quencer will enable you to automate mixing operations on the DPS16.
Follow the steps below to record and play a mix automation.
1. Use MIDI cables to connect the MIDI IN/OUT connectors of the DPS16 to the MIDI OUT/IN
connectors of a MIDI sequencer.
MIDI OUT
MIDI slave
MIDI OUT
MIDI sequencer
MIDI IN MIDI IN
control change
MIDI clock
Song Position Pointer
control change
SHUTTLEJOG
DPS16
MIDI master
2. Set up the DPS16 and the MIDI sequencer for a sync operation, following the instructions under
“Synchronizing an external device to the DPS16 (MIDI Clock)” on page 134.
➸
NOTE :
You can also use MTC to synchronize the DPS16 with a MIDI sequencer and record and play back
Control Change messages for mix automation.
3. Press the [F3] ( GLOBAL) key in Mixer mode.
4. Select the DPS16 MIDI channels (1–16) that transmit and receive Control Change messages in the
Control via MIDI field and Tx mixer changes field.
➸
NOTE :
Before recording or playing the mix operation on the MIDI sequencer, make sure that the Input
thru field on the screen shown in step 4 is set to “OFF ”. If the field is set to “ON ”, MIDI messages may loop
between the DPS16 and the MIDI sequencer. (See page 72 for more information on the Input thru field.)
5. Create a mix beginning at the start position of the song on the DPS16, and record the snapshot in the
top position of the MIDI sequencer. (See page 139.)
➸
NOTE :
When a mix automation is recorded, this snapshot will become the default value of the mix param-
eters. Therefore, this snapshot should be recorded in a position before the start point of the mix automation
recording.
- Operator’s Manual 1
- RISK OF ELECTRIC SHOCK 2
- DO NOT OPEN 2
- IMPORTANT 4
- VENTILATION 5
- FCC WARNING 5
- Chapter 9: 10
- Table of contents 11
- Features of the DPS16 13
- Parts and functions 14
- F1 F2 F3 F4 F5 F6 15
- Front Panel 17
- Rear Panel 18
- About external SCSI devices 19
- Internal IDE hard disk 19
- About Project 21
- INPUT MIX channel 24
- The DPS16’s user interface 26
- BBC counter 27
- [SHUTTLE] 28
- Entering characters 29
- QLMC (Q-Link Mixer Control) 30
- [PHANTOM 33
- [GUITAR/ 33
- Preparing to record 34
- Recording the first track 37
- Stop Playback Recording 38
- 00:00:00:00.0) 39
- Using locate points 40
- Outputs the input source 42
- Record Track 43
- SOURCE” 44
- Using the Undo/Redo functions 45
- Punch In/Out 46
- MIXER mode 48
- EQ, AUX SEND 1–4 48
- Using Mixer mode 49
- [CURSOR] 50
- Using the transport functions 52
- ■ Using the [TO] key 54
- ■ Using the [FROM] key 54
- ■ Using the [IN-OUT] key 54
- [GO TO] key 55
- Storing locate points 57
- Moving to a locate point 57
- Time field at 58
- IN point and OUT point 59
- Repeat function 60
- Chapter 4: Punch In/Out 61
- Auto Punch In/Out 63
- Punch In/Out Rehearsal 64
- Main Quick Patch mode screen 65
- 12345678910111213141516 66
- ■ Canceling the patch 67
- [INPUT SELECT] key 68
- [INPUT SELECT] keys 2, 6 68
- DEFAULT) key on the Quick 69
- Selecting output signals 70
- DEFAULT) 71
- Virtual Track 72
- Virtual Track List 72
- (unused).” 73
- ERASE ) key 73
- DO IT) key to erase data 73
- (unused)” 73
- Mixer mode screen 74
- Control View page 75
- (Mixer Mode) 76
- BUS parameter on and off 77
- PRE (pre-fader) 78
- POST (post-fader) 78
- INSERT (insert) 78
- Channel View page 82
- Global Settings page 83
- SCENE) key accesses the 85
- CLOSE) key 85
- ■ Recalling a scene 86
- ■ Erasing a scene 87
- • EQ • SEND 88
- GUITAR SOLO1” 91
- GUITAR SOLO2” 91
- Ping-pong recording 93
- [TRACK PAN] knob 94
- Adding sounds during mixdown 97
- Solo function 98
- FX 4) keys 99
- Applying EQ while recording 102
- Using an Edit mode screen 103
- Repeat times 104
- DO IT) key 104
- Now time, In time, and Out 104
- Now time 105
- ■ TIME STRETCH 108
- ■ CUT → MOVE 108
- New length 109
- What Q-Link functions offer 111
- Q-Link Functions 112
- [F1] [F2] [F3] [F4] 113
- TRACK MIX channels 1-16 114
- Effect return 1-4 114
- [TO] key and [FROM] key 115
- Setting a beat map 116
- Setting a tempo map 117
- Other settings 118
- Sync/MIDI 119
- value from the 120
- What is a Project? 122
- Using the Project mode screen 122
- Selecting a current Project 123
- Creating a new Project 124
- ERASE) key 125
- Target project 125
- Playing back the CD-R/CD-RW 128
- Finish process 129
- BACK RELOAD BACKUP 130
- CAUTION : 131
- SHUTTLEJOG 132
- Reloading the backup Project 134
- Using the Disk mode screen 137
- Changing the Self ID number 138
- SELECT) key 139
- Defragmenting a disk 141
- Copying data on the disk 142
- Chapter 12: MIDI Applications 144
- MISC.) key 145
- [F1] [F2] [F3] 146
- 00:0:00:00.0) of the 150
- GLOBAL) key in Mixer mode 151
- Recording/playing back a 154
- Chapter 13: Using the Effects 156
- Effect mode screen 157
- EDIT) key 158
- EFFECT” as the QLMC mode 159
- EFFECT” (controlling effect 159
- Using effects for mixdown 160
- PRE/POST 162
- Effect board 165
- TRACK MIX channel 165
- THRU MIX cahnnel 166
- Effect types and parameters 169
- STEREO CHORUS 170
- XOVER CHORUS 170
- MONO FLANGER 171
- STEREO FLANGER 171
- XOVER FLANGER 172
- PAN FLANGER 172
- MONO PHASER 173
- STEREO PHASER 173
- XOVER PHASER 174
- PAN PHASER 174
- PITCH SHIFT 175
- ROTARY SPEAKER 175
- AUTO PAN 176
- TRIGGER PAN 177
- MONO DELAY 177
- PING PONG DELAY 178
- PANNING DELAY 178
- STEREO DELAY 179
- XOVER DELAY 179
- TAPE ECHO 180
- REVERB>SMALL ROOM 180
- REVERB>BIG ROOM 181
- REVERB>SMALL HALL 181
- REVERB>BIG HALL 182
- REVERB>STUDIO 182
- REVERB>LIVE HOUSE 183
- REVERB>MEDIUM HALL 183
- REVERB>BRIGHT HALL 184
- REVERB>NON-LINEAR 184
- [F3] key 185
- EXPANDER 186
- NOISE GATE 187
- DIGITAL EQ 187
- TOUCH WAH 188
- CHORUS>DELAY 189
- FLANGE>DELAY 189
- PHASER/DELAY 190
- DISTORTION 190
- ENHANCER 191
- MULTI TAP DELAY 191
- PITCH CORRECTOR 192
- Appendix 193
- MIDI Implementation Chart 195
- 000301-2 198
- Printed in Japan 198
- Yokohama, Japan 198
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