Akai MPC5000 Specifications Page 79
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65
MUTE TRACKS IGNORED
The muted tracks in the sequences of the Song will not be converted.
MERGED ON MIDI CHANNEL
The track in the sequence of the Song will be merged to the track according to the MIDI output channel.
For example:
The track data of MIDI output channels 1A-16A will be merged to tracks 1-16.
The track data of MIDI output channels 1B-16B will be merged to track 17-32.
The track data of MIDI output channels 1C-16C will be merged to track 33-48.
The track data of MIDI output channels 1D-16D will be merged to track 49-64.
Note: When using MERGED ON MIDI CHANNEL, if the track is set to OFF in the 'MIDI' field in the MAIN page, the data
in the track will not be merged after Convert Song to Seq. If you wish to convert the tracks for an internal program, set
the MIDI output channel for the track temporarily.
05. Press [F5] (DO IT)
The song will be converted to a sequence.
Note: during Song Conversion
(When selected 'REFERENCED TO 1ST SQ' and 'MUTE TRACKS IGNORED')
When you convert a song, the specific settings used in each track within the sequence, such as track type, MIDI channel
setting, selection of the program, etc, will be set to the values that you set in the sequence in the first step of the song.
If the track setting of the sequence in another step is different from those in the first song step, the song may not be
converted properly. To avoid this, it is better to make the track settings and the order of each sequence the same. For
more information on how to change the order of the tracks, see the 'Changing the order of the tracks' section on page
30.
LOCATE
Locate is available in SONG Mode, as well as MAIN Mode.
To access Locate in SONG Mode, press the [LOCATE] button.
Entering a locate point and then pressing [F5] (GO TO) will move you to
the selected position in the song.
You can also memorize a locate point. Select a point in your sequence and press the [GO TO] button. Select number
you want to memorize and press [F2] (CAPTUR) to memorize this point.
- Version 2.00 3
- Chapter 1: Introduction 15
- 25. [PLAY START] Button: 19
- 26. Display: 19
- 29. [WINDOW] Button 19
- 31. [SYNTH] 20
- 32. [ARP ON/OFF] 20
- 33. [ARPEGGIATOR] 20
- 30. [PAD1] Through [PAD16]: 20
- 34. [AFTER] Buttons (12): 21
- 35. Q-LINK Knobs (8): 21
- 36. Q-LINK Sliders (4): 21
- 37. [ERASE] Button: 21
- 38. [NOTE REPEAT] Button: 21
- Front Panel 22
- Rear Panel 22
- Bottom Panel 24
- 54. Ram Expansion Slot: 24
- Hooking Up Your MPC5000 25
- USB Connectivity 26
- MIDI Connectivity 27
- Sequence 28
- Tracks 28
- Sample 28
- Operating Modes 30
- Chapter 2: Basic Operation 33
- Setting Names 34
- Chapter 3: The Sequencer 35
- Recording the Performance 36
- Step Recording 37
- Playing Back a Sequence 37
- Punch In/Punch Out 38
- Undo and Redo 38
- Deleting In Real Time 39
- Timing correct 40
- Click/Metronome 41
- Note Repeat 42
- Setting Tempo 44
- Tap Tempo 44
- About Tempo Change 44
- Changing the Sequence Name 45
- Copying a Sequence 46
- Deleting a Sequence 46
- Track Features 47
- Track Velocity 48
- Track Mute 48
- Changing a Track Name 49
- Copying a Track 49
- Deleting a Track 49
- Deleting all Tracks 49
- Track Lock 50
- MIDI Receive Indicator 50
- Continuous Sample Tracks 51
- MIDI Sequencer Features 52
- Handling the Sustain Pedal 53
- Recording Aftertouch 53
- Setting the Range 55
- Copying events (COPY) 55
- Moving events (MOVE) 56
- Transpose 56
- Copying bars (COPY) 58
- Inserting a bar (INSERT) 58
- Deleting a bar (DELETE) 59
- Chapter 5: STEP EDIT Mode 61
- [F2] (TRACK) 62
- [F6] (PLAY) 62
- Pad Event 62
- Note Event 62
- Effect Select Event 64
- Tempo Change Event 64
- Real Time Event 64
- Copying / Pasting an Event 65
- Moving an Event 65
- Deleting an event 65
- Step Recording 66
- Chapter 6: GRID EDIT Mode 69
- Basic operation 70
- Editing in GRID EDIT mode 71
- Copying and Pasting an Event 71
- Moving an event 71
- Entering an event 72
- Real time recording 73
- Chapter 7: SONG Mode 75
- Creating a song 76
- Playing a song 77
- Other features in SONG Mode 77
- Deleting all songs 78
- LOCATE 79
- Chapter 8: HD RECORD Mode 81
- Recording Hard Disk Tracks 82
- Viewing Recorded Tracks 83
- Selecting the View Range 83
- Editing Hard Disk Tracks 84
- Individual Edit Functions 84
- Cut / Copy / Pasting Tracks 85
- Normalize 86
- Silence 86
- Deleting 86
- Importing 86
- Exporting 87
- Mixing Hard Disk Tracks 88
- Muting a Track 89
- Erasing HD Track Automation 90
- Mixdown 90
- Selecting Track Mix 91
- Returning to HD MIX 92
- Playing with pads 93
- Operation 94
- Solo Function 94
- Recording Track Mutes 95
- Ignoring Track Mute Events 95
- Track Mute Groups 95
- Track Mute Quantization 96
- Program with Pads (Pad Mute) 97
- Pad Mute Quantization 97
- Next Sequence for Next Bar 99
- Chapter 10: MIXER Mode 101
- Assigning Effects to a Pad 102
- Viewing Program Info 103
- Track Mixer 104
- Viewing Track Details 105
- Mixer Automation 105
- Take Over Mode 106
- Input Thru 106
- Chapter 11: Sampling 109
- Starting the recording 110
- Recording the MAIN OUT 111
- Other Features 112
- Direct Recording feature 113
- About the waveform display 115
- Adjusting the start point 115
- Adjusting the end point 116
- Zooming in/out 116
- Sample window features 118
- Deleting a sample 119
- Deleting all samples 119
- Other editing functions 120
- Gain 123
- Bit Reduce 123
- Fade In 123
- Fade Out 124
- Chop Shop 125
- Zoom 127
- Converting PATCHED PHRASE 128
- Editing Regions 129
- Setting the loop 130
- Popup List for Samples 131
- Sample Editing: TRIM Mode 118 132
- Sample Programs 133
- Note On vs. One Shot 134
- Velocity 134
- Velocity Sample Switching 135
- Cycle Switching 135
- Random Sample Switching 135
- Per-Sample Panning 136
- Setting Envelopes 137
- Setting the Filter 139
- Multi Pad Edit 140
- Program Tune 141
- Mute groups 141
- Setting Voice Overlap 141
- Mute Target feature 142
- Purge Unused Samples 143
- Sample assignment 143
- KEYGROUP Type Program 144
- Sample Layer Crossfade 145
- Tuning and Root Note 145
- Keytracking 146
- Synth Programs 147
- The Synth Button 148
- Creating a Synth Program 148
- MASTER 155
- Other Program Functions 156
- Copying a program 157
- Deleting a program 157
- Deleting all programs 157
- Chapter 14: Arpeggiator 159
- Latching the Arpeggiator 160
- Chapter 15: Effects 163
- Effect Buss Chaining 165
- About CPU Usage 165
- Editing Effects 165
- Effect List 166
- Using Master Effects 176
- Editing the Effect Set 177
- About memory cards 179
- Selecting the destination 179
- Creating a New Folder 179
- Saving a Sample 180
- Saving a Sequence 181
- Saving All Data In Memory 182
- Renaming a File 183
- Deleting a File 183
- Copying Files 183
- Moving Files 184
- Loading 185
- Loading a Program 186
- Loading a Sequence 187
- Loading the ALL File 187
- Loading a Folder 188
- Loading a Project 188
- Loading an Input Thru File 188
- Burning CDs 189
- Autoload 190
- Formatting 191
- Program Q-LINK programming 193
- [AFTER] Button 195
- Configuring FX Q-Links 196
- Default Q-LINK Mode 197
- MIDI Clock 199
- MIDI Time Code (MTC) 200
- MIDI Machine Control (MMC) 201
- Sending MMC to a device 201
- MPC5000 202
- Setting MIDI Channel 203
- Computer 205
- Chapter 20: Other Settings 207
- Truncate Duration 208
- Record Aftertouch 208
- Tap Average 208
- Flash Tempo LED 208
- Program Audition Note 209
- Using the Footswitches 209
- SYSTEM 211
- How to Upgrade the MPC5000 212
- Specifications 214
- Inputs/Outputs 215
- Standard accessories 215
- Options 215
- Data Compatibility 215
- MIDI Implementation Chart 217
- Index 206 220
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