Akai MPC5000 Specifications Page 152

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Sample, Keygroup and Synth Programs 138
04. Edit the parameters of the VCF page as desired.
The following parameters are available to be edited.
'Filter Cutoff'
Sets the frequency start point for the filter. This field also appears on the Basic page. See page 135 for more
information.
'Filter Res'
Sets the amount of emphasis to be applied to the cutoff frequency of the filter. This field also appears on the Basic
page. See page 135 for more information.
'Type'
Selects the type of filter to be used. This field also appears on the Basic page. See page 135 for more information.
The following types are available;
LoPass
This filter cuts out the high frequencies and passes the low frequencies.
HiPass
This filter cuts out the low frequencies and passes the high frequencies.
BPass
Band Pass Filter. This filter passes the selected frequencies and cuts out the other frequencies.
BStop
Band Stop Filter. This filter cuts the selected frequencies and passes all other frequencies.
BBoost
Band Boost Filter This filter boosts the selected frequencies and passes all other frequencies.
Model1
This is an analog style 4-pole filter, modeled after a famous vintage semi-modular synthesizer.
This filter will clip (distort) when fed a loud input level.
Model2
This is another analog style filter with a mellow resonance, and slight fattening distortion in the
lower frequencies.
Model3
This filter is a crazy analog modeling filter capable of howling, piercing resonance and jaw-
rattling sub frequencies. Watch your speakers!
Vocal1
This filter is a formant filter modeled on the human voice. This 3-band (3 band pass filters)
version emulates the "ah" and "oo" vowel sounds.
Vocal2
A 3-band formant filter which emulates the "oh" and "ee" vowel sounds.
Vocal3
A 5-band formant filter based on an idealized model of the vocal tract.
'Pole'
Selects how many poles the selected filter will be. A 2 pole filter will have a milder effect, where an 8 pole filter will
have a more extreme effect. This field also appears on the Basic page. See page 135 for more information.
Note: Some filters, such as the VA filters, and the Vocal filters do not have selectable poles. When these filters are
selected, the 'Pole' parameter is hidden.
'KeyK>Cutoff'
This parameter sets whether the filter frequency rises and falls to match the keys you play or stays constant
regardless of the keys you play. A setting of 0 means the filter frequency will remain constant across the keyboard.
If the key track parameter is set to +100, the filter tracks the keyboard perfectly, and with enough resonance, can be
played as if it were an oscillator.
The corresponding Q-Link [AFTER] button toggles whether the effect of this modulation will be positive or negative. Negative settings
mean the filter will grow darker as higher notes are played.
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