Akai DPS12 Operator's Manual Page 89
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Chapter 7: Advanced technique for mixing
Track 1
Track 2
Track 3
Track 4
Track 5
Track 6
Track 7
Track 8
Track 9
Track 10
Track 11
Track 12
Physical tracks
V.TRK 1
V.TRK 2
V.TRK 3
V.TRK 4
V.TRK 5
V.TRK 6
V.TRK 7
V.TRK 8
V.TRK 9
V.TRK 10
V.TRK 11
GT-SOLO1
GT-SOLO2
GT-SOLO3
GT-SOLO4
Virtual tracks
You can also assign these recorded virtual tracks to multiple physical tracks simultaneously. This function is
useful when you wish to use the edit functions (see page 80) to extract the best parts from each track to create
a final take.
Track 1
Track 2
Track 3
Track 4
Track 5
Physical tracks
GT-SOLO1
GT-SOLO2
GT-SOLO3
GT-SOLO4
GT-SOLO5
Virtual tracks
Digital ping-pong recording
A “ping-pong recording” is an operation that enables you to mix multiple tracks and record the mix onto another
track. The DPS12 performs ping-pong recording within the digital domain. The following section explains how to
mix physical tracks 1–10 signals into stereo and ping-pong record to physical tracks 11–12.
1. While playing back data on the DPS12, use the channel faders 1–10 and [PAN] controls to adjust the
level and panning for TRACK MIX channels 1–10. If necessary, select TRACK MIX channels in Mixer
mode to set the EQ and other mix parameters.
At this time, use the [MASTER] fader so that the LR level meters (the output level of Master L/R) do not reach
the maximum level.
2. Press the [F3] key in Assign mode.
The DPS12 displays a screen in which you can assign input signals to each track (physical track).
- Operator’s Manual 1
- RISK OF ELECTRIC SHOCK 2
- DO NOT OPEN 2
- IMPORTANT 4
- VENTILATION 5
- FCC WARNING 5
- Table of contents 10
- Features of the DPS12 13
- Parts and functions 14
- DIGITAL PERSONAL STU 15
- Front panel 17
- Rear panel 17
- Disk slot 18
- Eject button 18
- Access indicator 18
- Eject hole 18
- Notes on using a JAZ drive 19
- About external SCSI devices 20
- CAUTION : 21
- About Projects 22
- Signal block diagram 25
- About a scene memory 26
- About DPS12’s user interface 26
- [F1] [F2] [F3] [F4] [F5] 27
- MAIN screen 27
- Control Panel 27
- ■ Field and cursor 28
- Changing a setting or a value 29
- X Y Z & # (Space) 31
- Connections 32
- Preparing to record 34
- Maximum (clipping) 37
- Already recorded 38
- Recording the first track 39
- Stop Playback Recording 40
- Indicating that tracks 1/2 41
- Using a locate point 42
- Overdubbing 43
- Using the Undo/Redo functions 44
- Punch In/Out 45
- Mixdown signal flow 47
- Mixdown procedure 48
- Using Mixer mode 48
- [CURSOR] 49
- Transport operation 51
- JOG PLAY 52
- Using [TO] key and [FROM] key 53
- [MEMORY] key 54
- [GO TO] key 55
- [IN] key 56
- [CHANNEL SELECT] keys 56
- [OUT] key 56
- Repeat function 57
- [OUT] point 58
- [CHANNEL SELECT] 59
- Chapter 4: Punch In/Out 60
- Auto Punch In/Out 62
- Punch In/Out Rehearsal 63
- INPUT ASSIGN 64
- Mixer section 64
- Recorder section 64
- When THRU MIX is selected: 65
- INPUT jacks 66
- TRACK ERASE function 69
- About Mixer mode 70
- Basic operation in Mixer mode 70
- TRACK MIX channels 71
- THRU MIX channels 71
- Chapter 6: Mixer Function 72
- •) that appears above 73
- •) appears 73
- Equalizer settings 74
- AUX send settings 76
- ● When “STEREO” is selected: 78
- Other settings 79
- MIDI settings (MIDI CONTROL) 80
- SCENE MEMORY 81
- •) appears in the graphi 82
- Mixing several inputs via AUX 84
- Using the Solo function 86
- 123456 DRDLTHRU MIX channels 87
- Using virtual tracks 88
- Physical tracks 89
- Virtual tracks 89
- Adding sounds during mixdown 91
- Using an Edit mode screen 92
- IN point 93
- NOW point 93
- OUT point 93
- COPY PASTE 94
- COPY INSERT 95
- CUT PASTE 96
- CUT INSERT 96
- INSERT SILENCE 96
- CUT DISCARD 97
- CUT MOVE 97
- VARI PITCH 99
- Chapter 9: Control Panel 100
- Sync (synchronization) 103
- SAMPLING RATE 104
- BEAT MAP 104
- TEMPO MAP 105
- FOOT SWITCH 106
- LCD CONTRAST 106
- OTHER (other setting) 107
- What is a Project? 108
- Using the Project mode screen 108
- Creating a new Project 109
- Recalling a Project 110
- Erasing a Project 110
- OPTICAL IN jack 112
- OPTICAL OUT jack 112
- DAT recorder 112
- Reloading the backup Project 113
- ■ Reloading from a DAT 114
- Notes on handling a disk 115
- Using the Disk mode screen 115
- Changing the current drive 116
- Viewing the drive information 117
- Formatting a disk 118
- Defragmenting a disk 119
- Copying data in the disk 119
- Using a removable drive 120
- Chapter 12: MIDI applications 121
- DIGITAL PERSONAL STUDIO 123
- INPUT GAIN 123
- MIDI OUT 125
- MIDI sequencer 125
- Chapter 13: Using the effects 131
- Using effects for mixdown 132
- Setting the effect send level 135
- Effect type and parameter 140
- XOVER CHORUS(G) 141
- MONO FLANGER (G) 141
- STEREO FLANGER (G) 141
- XOVER FLANGER (G) 142
- PAN FLANGER (G) 142
- MONO PHASER (I) 143
- STEREO PHASER (I) 143
- XOVER PHASER (I) 143
- PAN PHASER (I) 144
- PITCH SHIFT (I) 144
- ROTARY SPEAKER (I) 145
- AUTO PAN (I) 145
- TRIGGER PAN (I) 146
- MONO DELAY (G) 146
- PING PONG DELAY (G) 146
- PANNING DELAY (G) 147
- STEREO DELAY (G) 147
- XOVER DELAY (G) 147
- TAPE ECHO (G) 148
- COMPRESSOR/LIMITER (I) 150
- EXPANDER (I) 151
- NOISE GATE (I) 151
- DIGITAL EQ (I) 151
- AUTOWAH (I) 152
- TOUCH WAH (I) 152
- CHORUS>DELAY (G) 152
- FLANGE>DELAY (G) 153
- PHASER>DELAY (G) 153
- Appendix 154
- MIDI Implementation Chart 156
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